Christianity · Music · Taylor Swift

Taylor Swift the Theologian

FhPkjB9XwAEgTgpTaylor Swift has been a force in music since the release of her self-titled album in 2006. With each successive album, her fame, allure and cultural impact has grown. On October 21st, 2022, she released her latest album Midnights which has already sold over a million copies and shattered Billboard records where the entire top ten was ensconced by songs from the album. And if that was not enough, her latest tour that begins in 2023 is selling out stadiums and crashing Ticketmaster servers.

Just in case there was not enough for Swifties to devour, Taylor has been releasing remixes of her first single from Midnights, Anti-Hero. Being the fan I am, I’ve of course bought these tracks and been listening to them. But in the listening, something began to stand out to me, Taylor is actually saying something very interesting in Anti-Hero, in fact it is actually a Truth as old as humanity. Let’s walk through the song and I’ll show you want I mean. 

She begins, “I have this thing where I get older, but just never wiser”. Who can’t relate to this. How many of us have promised, “Oh, I am never doing that again”. “That was the last… hit, drink, one night stand, look at porn…”. The list is endless. We like to pretend we’ve changed or evolved and yet we are like a dog returning to its vomit. Gross right?! But it is the truth. 

She continues to diagnose the problem,

Midnights become my afternoons
When my depression works the graveyard shift
All of the people I’ve ghosted stand there in the room
I should not be left to my own devices
They come with prices and vices, I end up in crisis
(Tale as old as time)
I wake up screaming from dreaming
One day I’ll watch as you’re leaving
‘Cause you got tired of my scheming
(For the last time)

Her inability to change or grow works itself out in depression, leading her to remember all the ways she’s mistreated others. The fear of being rejected that has lead her to see others walk out the door, because she cannot stop scheming and just be herself. In fact it is that scheming to try and hold on to someone that has lead them to leave. As she says, it is a tale as old as time. We want people to love us, know us and yet we can’t seem to stop hurting them and ourselves in the process. It is a never-ending carousel of relational sabotage we can’t seem to get off.

We’ll get to the chorus in due time but the next verse accentuates the problem.

Sometimes I feel like everybody is a sexy baby
And I’m a monster on the hill
Too big to hang out
Slowly lurching toward your favorite city
Pierced through the heart but never killed
Did you hear my covert narcissism
I disguise as altruism like some kind of congressman?
(Tale as old as time)
I wake up screaming from dreaming
One day I’ll watch as you’re leaving and life will lose all its meaning
(For the last time)

No matter how thin she is, not matter what she looks like on the outside, she knows intrinsically it is never good enough. Even her “good works” are a lie. She echoes Isaiah when he says, “We have all become like one who is unclean, and all our righteous deeds are like filthy rags.” And what dives this? It is her fear of rejection, her desire to be know and loved. 

If that was not bad enough, she goes on. 

I have this dream my daughter-in-law kills me for the money
She thinks I left them in the will
The family gathers ’round and reads it
And then someone screams out
“She’s laughing up at us from hell!”

Even her subconscious knows she is not good enough to the extent that it places her in hell! Which leads us to the chorus where she brings it all together and labels the problem correctly.

It’s me
Hi
I’m the problem, it’s me
(I’m the problem, it’s me)
At teatime
Everybody agrees
I’ll stare directly at the sun, but never in the mirror
It must be exhausting always rooting for the anti-hero  

Taylor nails it. She’s the problem. In fact, even at her best, she isn’t even the hero of her own story, she’s an anti-hero. And if we are being honest, at the worst she and we, are villains in our own story. In so many ways, this song echoes the Apostle Paul when he says in Romans, “For all have sinned and fallen short of the glory of God.” Paul in Romans also talks about how we all innately know that God is there through his creation and how even the Law only points to our deficiencies, unable to save us because we can never keep it perfectly. Hi, it’s me, I’m the problem, it’s me. 

Taylor is famous for her songs about failed romance. Anti-Hero encapsulates her desire to be known and loved when she says, “I wake up screaming from dreaming, One day I’ll watch as you’re leaving and life will lose all its meaning”. Relationships are her god. But again, she’s the problem. Timothy Keller paints the picture well when he says, 

“To be loved but not known is comforting but superficial. To be known and not loved is our greatest fear. But to be fully known and truly loved is, well, a lot like being loved by God. It is what we need more than anything. It liberates us from pretense, humbles us out of our self-righteousness, and fortifies us for any difficulty life can throw at us.”

What Taylor is looking for cannot be found in a human being. Not person can sustain the weight of being everything to another person. No matter the person, they are going to let us down. Heck, she even rightly points out, we will let ourselves down, so much so that we’re not heroes, we’re at best, anti-heroes. The Psalmist points this our perfectly when they write, “It is better to take refuge in the LORD than to trust in man. It is better to take refuge in the LORD than to trust in princes.”

The Apostle Paul helps answer the question Taylor is asking in Ephesians 2, 

 And you were dead in the trespasses and sins in which you once walked, following the course of this world, following the prince of the power of the air, the spirit that is now at work in the sons of disobedience—  among whom we all once lived in the passions of our flesh, carrying out the desires of the body and the mind, and were by nature children of wrath, like the rest of mankind. But God, being rich in mercy, because of the great love with which he loved us, even when we were dead in our trespasses, made us alive together with Christ—by grace you have been saved— and raised us up with him and seated us with him in the heavenly places in Christ Jesus, so that in the coming ages he might show the immeasurable riches of his grace in kindness toward us in Christ Jesus. For by grace you have been saved through faith. And this is not your own doing; it is the gift of God, not a result of works, so that no one may boast. For we are his workmanship, created in Christ Jesus for good works, which God prepared beforehand, that we should walk in them.

She gets part of the answer, she’s the problem, we are our own problem. We are dead, but we know this is not the way things are suppose to be. Not only are we dead, but we are enemies of the only one that can fix the problem we know is there. You see, we are not meant to be the hero of our own story, but the problem is, we all try to be. Genesis helps us by reminding us, “In the beginning, God”. We’re not the hero of the story because we’re not the first and the last, the beginning and the end, the alpha and omega, God is. And this is comforting news, because otherwise we will spend our lives, toiling away, trying to be what we were never meant to be.

Then Paul gives us the answer, with the best words in the Bible, “But God”. You see, he loved us before we first loved him, to paraphrase the Apostle John and he sent the one person that could make right what we could not. Not only does he save us, but he promises the very thing Taylor longs for the very most, to never leave us. Jesus promises, “I give them eternal life, and they will never perish, and no one will snatch them out of my hand. My Father, who has given them to me, is greater than all, and no one is able to snatch them out of the Father’s hand. I and the Father are one.” Ultimate love from one who ultimately knows us better than we could ever know ourselves. Jesus is the hero we need, want and long for. Jesus knows our villainy, our anti-hero natures, yet he still freely offers everlasting love, acceptance and salvation. Talk about good news! 

Books · Christianity · Faith · Film · Movies · Music · Sex · Star Trek · Technology

Owl Post 9-12-14

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U2′s Songs of Innocence: Familiar But Surprising, Free But Costly

738aa476The biggest surprise of the launch of U2’s new album isn’t the way it was released—it’s how good the songs are.

It has been five long years since No Line On The Horizon, an album with some great moments but one which also revealed a band in artistic decline. In those five years, they knew they were one more misstep away from irrelevance. The reports weren’t hopeful: a new producer here, a scrapped album concept there. They seemed “stuck in a moment that they can’t get out of”, finally crushed under the weight of their own ponderousness.

Apple Watch: To Wear It Like a Man — or a God?

440633-apple-watchTechnology keeps getting more and more personal. First “personal computers,” which sat on your desk, gave way to laptops, which sat in a rather more intimate position. Now laptops are giving way to tablets and phones, which nestle in your hand and slip into your pocket. And early next year, the Apple Watch will wrap around quite a few wrists, which it will tap gently to signal that a friend is calling or a message has arrived.

On Repeat: Why People Watch Movies and Shows Over and Over

190568.1020.AThe millisecond that Dumb and Dumber clicks into focus on the television screen, something magical happens to me. It can be a terrible day, a stressful day, or a sick day, but within seconds of seeing Jim Carrey’s bowl cut, I’m 10 years old again. The number of movies I have once memorized is small (The Lion King, A Few Good Men, and, inexplicably, While You Were Sleeping), but Dumb and Dumber is perhaps the only one where I have reasonably thought, “I could perform this entire film from start to finish, on my own.” On multiple occasions in college, I think I tried.

Why I Love to Read Non-Christian Book

atonementMy practice of reading goes through phases. There are times where I just cannot get enough of the newest Christian books, and there are times where reading yet another Christian book seems almost intolerable. In some seasons I love to read novels, and in some seasons I can’t stand them. I’m sure any committed bibliophile can identify with the ebb and the flow of the literary appetite.

Getting Married Is Not Enough to Fight Sexual Temptation

ring-2If you follow a certain road away from the city center, it will cross the river and lead you to the surrounding mountains. As it rises and falls with the contours of the land, it will pass cow pastures, dilapidated barns, and neat ranch houses built on family land where generations live side-by-side. Near the end of the road you’ll come to a small, brick church that just last year celebrated its 90th anniversary. The congregation is made of folks who have known each other their entire lives. They have attended school together, married together, reared children together, and even today, worship together. The oldest member was also the first to be married at the church back in 1947. Another couple recently celebrated 50 years together — she agreed to marry him one month to the day after he landed a full-time job — and yet another member could tell you about being a bride at 16.

IN WHICH WE ANSWER THE QUESTION: “WHAT CAN STAR TREK FANS DO TO ENCOURAGE CBS TO RELEASE DEEP SPACE NINE ON BLU-RAY?”

8yrv5uThe one question I get probably more than any other these days – outside of “When will the unaltered Star Wars be released on Blu-ray?” – is this: “Will CBS keep releasing remastered Star Trek series on Blu-ray, including Deep Space Nine and Voyager?” I get this question in one form or another at least several times a week. And the answer is simple: Maybe. I’ll explain in a minute. But the second part of the question is often this: “What can I do to convince CBS to remaster Deep Space Nine for Blu-ray?” That I can answer very definitively.

Books · Christianity · Facebook · Faith · Guardians of the Galaxy · Harry Potter · JK Rowling · Man of Steel · Movie Trailers · Movies · Music · social media · Superheroes · Superman · Technology · Twitter · YA Novels

Owl Post 7-8-14

Owl Post 2-17-12

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Exclusive: Read J.K. Rowling’s new post for the latest Harry Potter ‘gossip’

550w_movies_harry_potter_epilogue_4Can’t get enough of Harry Potter? Then this is for you. Since March, best-selling author J. K. Rowling has been writing original stories about the imaginary 2014 Quidditch World Cup Finals for Pottermore, the online home for the world of Harry Potter. 

Rowling shared her latest Pottermore.com story exclusively with TODAY.com. Written in the voice of the fictional Daily Prophet’s gossip correspondent Rita Skeeter, this post centers around the reunion of Harry Potter and his friends at the Quidditch World Cup Finals. Click here for the new Harry Potter Story 

For Taylor Swift, the Future of Music Is a Love Story

taylor-swift-red-largeWhere will the music industry be in 20 years, 30 years, 50 years?

Before I tell you my thoughts on the matter, you should know that you’re reading the opinion of an enthusiastic optimist: one of the few living souls in the music industry who still believes that the music industry is not dying…it’s just coming alive

Gbj6CRxJustice’ is served with another helping of Superman

Who’s better, Superman or Batman? Zack Snyder doesn’t have to choose a favorite since he’s getting to put both on the big screen at the same time.

The director of last year’s Man of Steel doubles down on A-list superheroes in his follow-up Batman v Superman: Dawn of Justice (in theaters May 6, 2016), teaming a returning Henry Cavill as the big guy in the cape and “S” on his chest with Ben Affleck as the latest cinematic incarnation of the Dark Knight.

Europe Is Starting to Take American Soccer Seriously (Seriously!)

article-2594795-1CC15A9B00000578-590_634x457Did American soccer just win the football world’s respect?

The World Cup is over for the U.S.A. after a heartbreaking loss to Belgium. But that defeat made for what some regard as perhaps the best match of a tournament that has thrilled from the start. More importantly, the U.S. has been called a “world-class team” by the likes of Barry Glendenning, the ever-critical football writer from The Guardian. Glendenning is perhaps not the Supreme Leader of Football (that title belongs to Sepp Blatter), but he is near the epicenter of international football, and he does not compliment teams lightly.

The real story behind the war over YA novels

91o13sPo7VLFew categories of literature right now seem to receive the level of hatred reserved for young adult fiction, which is the subject of nearly endless editorials on its supposed inanity, excessive sexuality, darkness, and girlyness. It doesn’t escape notice that there’s a strong whiff of sexism underlying the wave of YA hate—the genre is heavily dominated by women, and female authors can recount their experiences with sexism first hand.

Coming Out as a Christian

social-mediaI’ve been thinking a lot about what it means to live transparently—especially when it comes to my digital life. For as long as I’ve been on social media (I first joined Facebook in 2005), I’ve oscillated between expressing myself honestly and expressing contrived personas that I broadcast on Twitter, Instagram, and everywhere else.

Take, for instance, my well-documented love of Rolling Rock. Anyone who follows me on any website knows I’ve posted endlessly about the famously watery beer for the past three years. My Instagram feed was once a veritable shrine to Rolling Rock. My friends gave me four cases of it for my birthday last year. Heck, my Twitter fan club (yes, it’s still weird to me, too) uses a picture of Rolling Rock as its header image! I know how to advertise my love for a product.

Music · Uncategorized

Best Music of 2013 – Things I Found

The_Walking_In_Between_album_coverBen Rector – The Walking in Between 

A friend of mine introduced me to the genius of Rector and he quickly became one of my most played artists of the year. I love all his albums, but this is his newest and it did not let down from the quality I had come to expect. I saw him in concert and he is brilliant live. If you don’t know him or have not hear his music, do yourself a favor and drop what you are doing and go get this!

Favorite tracks:

Ordinary Love, When I’m With You, Sailboat (Honestly the whole thing!)

71kAct3OGkL._SL1500_Imagine Dragons – Night Visions

Very seldom is there an album that comes out these days that I will just listen to straight through, this is one of the few. I have listened to this at least 30 times, all the way through. The lyrics are fantastic and the music will have you humming for days. This is a great band! (Excited to see then in concert in 2014)

Favorite tracks:

It’s Time, Demons, On Top of the World, Amsterdam

Derek Webb I Was Wro#F0A679Derek Webb – I Was Wrong, I’m Sorry and I Love You

Webb had lost me for a while with his music, yet he reeled me back in with his latest album. Honest, real and reminiscent of his past stuff while at the same time sounding completely fresh; he has created something wonderful. This album spoke to me and God used it to remind me of some truths I have trouble accepting. As usual, Webb has tapped into the realities of life and crafted something that reminds you, you are not alone in your hardship or questions.

Favorite tracks:

I Was Wrong, I’m Sorry & I Love You, Lover, Pt.3, Everything Will Change

0C10D72A-AE28-1A57-5304942B93BA7C5AJohn Mayer – Paradise Valley

I have been following Mayer since he came on the music scene and have mostly enjoyed every single album, but this one captures the magic of his Room for Squares while mixing in all he has learned over the past 13 years. For me Mayer is summer – riding with the windows open through the valleys of Colorado with my best friend and he delivers again with Paradise Valley. This is an album I can turn on anytime and enjoy.

Favorite tracks:

Wildfire, Who You Love, You’re No One ‘Til Someone Lets You Down

714-GxzvBpL._SL1200_Sara Bareillis – The Blessed Unrest

Bareillis has a way with lyrics that speaks to my heart like few other artists. I love this album, it is another that I can listen through all the way, almost anytime. I was lucky enough to see her in concert this year and she is amazing. Her voice is one of my favorites of all time. You should not miss this album. (Confession – I frequently listen to “Little Black Dress” on repeat, it’s just that kind of song)

Favorite tracks:

Brave, Chasing the Sun, Manhattan, Little Black Dress, Cassiopeia, 1000 Times, I Choose You

jack_johnson_from_here_to_now_to_you-portadaJack Johnson – From Here to Now to You

Johnson is like an audio Corona commercial and this album is no different. I love being able to turn it on and immediately feel miles from anywhere. This is classic Johnson with some fun new sounds.

Favorite tracks:

I Got You, Washing Dishes, Never Fade, Tape Deck

Jars of Clay - Inland cover artJars of Clay – Inland

I had not listened to Jars of Clay in more years that I can count, so when I randomly came across their new album on iTunes, I was blown away. This is a gritty and authentic album about the struggles of life and faith. I am so thankful for this album and it’s message of hope in the midst of life’s hurricanes.

Favorite tracks:

After the Fight, Reckless Forgiver, Love in Hard Times

OneRepublic-Native-2013-2000x2000OneRepublic – Native

I have always enjoyed OneRepublic but this album captured me. I saw them live and they rocked so many of the songs from this new record as well as their old classics. This is an album meant to be turned up and sung to or danced too. So pick it up and dance it out.

Favorite tacks:

Counting Stars, If I Lose Myself, Feel Again, What You Wanted, Can’t Stop

thecivilwars-1375124398-1375306352The Civil Wars – The Civil Wars

I found The Civil Wars earlier in the year and was very excited to learn that they would have a new album in 2013. This album continues their sound and quality. I love the revival of Folk in popular music and they are so talented. Lovely harmonies and heart-rending lyrics, what more could you ask for.

Favorite tracks:

Dust to Dust, Eavesdrop, From This Valley, Sacred Heart, D’Arline

Cover__300RGB-9Of Monsters and Men – My Head is an Animal

I found this band because they have a song on The Secret Life of Walter Mitty soundtrack. Best of all was that, that song was not the only good thing they have done. Folksy-rockish and just plain good. They have an alternative sound that can’t be beat. It you haven’t heard them I recommend you check them out.

Favorite tracks:

Dirty Paws, King and Lionheart, Mountain Sound, Little Talks

My Favorite One-Off Tracks

Wake Me Up – Avicli

Step Out – José González

Lorde – Royals

Sweeter than Fiction – Taylor Swift

Gunger – Beautiful Things & The Earth is Yours

Comment and tell me what you liked in 2013

Christianity · College · Culture · Derek Webb · Faith · Jars of Clay · Man of Steel · Matt Chandler · Movies · Music · Superheroes · Superman · The Village Church · Wonder Woman

Owl Post 9-5-13

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The Cul-de-sac of Stupidity:

cul-de-sacColossians 1:19-21

In the passage above, Paul speaks of our alienation from God resulting from the work of our hostile minds, an alienation ended at the crucifixion of Christ. Until we understand the reconciling work of the cross, we will remain stuck in our patterns of alienation—from God and others.

How Logic Can Help Save a College Student’s Faith:

Human-Logic-Brain“I’m a liberal, pacifist, atheist, and if you don’t like it, you can leave,” the professor said as he began the first day of Renaissance history at the University of Colorado. Joni Raille, who grew up in a conservative Christian home, was taken aback and wondered what her professor’s bluntness had to do with Renaissance history. I asked her if she ever considered dropping the course. “No,” she replied, “I can learn from anybody, even if he is an atheist.”

New Music: Jars of Clay’s Inland:

phpThumb_generated_thumbnailjpgI am that rare Jars of Clay fan who does not hold their debut album in highest esteem. It is not a bad album by any means–”Worlds Apart” is a classic–but it never reached me the way If I Left the Zoo (my first Jars album), Who We Are Instead and Good Monsters did. Those three are the albums by which I judge their output. In certain circles, that statement would have me discredited. So I may not be the best person to write this review. Of course, that has never stopped me before.

The Psychology of the Man of Steel: Should Today’s Superman Be More Morally Realistic?

jacobin-man-of-steelSuperman has changed, and there’s no denying this. Although he wears the same iconic “S” on his chest, the Superman we see in the film Man of Steel embodies a very different psychological makeup than in past versions of this DC Comics hero. He questions whether humanity is worth saving. He is driven by emotions like anger and desperation. He seems reckless, destructive, and impulsively violent. This article, which includes some spoilers, examines why this new Superman represents a more psychologically realistic version of the iconic character, and asks us to question whether a more morally fallible Superman makes more sense in a post-9/11 society.

Derek Webb Was Wrong, He’s Sorry, and He Loves You:

d6c009d654bfc269e774924d8837bddcDerek Webb first appeared in the Christian music scene with the Texan folk-rock band Caedmon’s Call. On their 1996 self-titled record, Caedmon’s Call (their first national release), he was the angst-ridden voice, expressing doubts and agony that weren’t common threads in CCM. Some instantly identified—people who’d always felt a bit out of place in the church, for whom doubts and struggles were constant. For other listeners, Webb was like the outspoken skeptic in your small group, the one who seemed suspicious of sentiment that were a little too warm and smiles that were a little too plastic. In nearly 20 years since, he’s maintained that posture, agitating and provoking the very world his music inhabits.

Wonder Woman Can’t Have it All:

Blue-Eyes-wonder-woman-3338872-1024-768Following any Wonder Woman project isn’t unlike reading some gossip rag about producers and directors dealing with a talented, but demanding actress. “Challenging” is the reason filmmakers give when Wonder Woman projects fail. “We are still trying right now, but she’s tricky,” is a DC Comics executive Diane Nelson’s explanation of why the company hasn’t moved forward with a film. In a self-perpetuating cycle, studios constantly wonder if enough people will buy tickets to a Wonder Woman movie, or if she has enough star power to anchor a film on her own. Inevitably, the first question journalists usually ask hopeful producers is why they’d ever take on such a “hefty” project.

Children · College · Film · John Mayer · Marriage · Mentoring · Movies · Music · Self-esteem

Owlpost 8-24-13

Owl Post 2-17-12

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The Problem with the Childfree Life:

Ford_Time_Ubrella1Time magazine has stirred up the social pot again, with its recent cover picturing a couple clearly reveling in “The Childfree Life.” In her cover article Lauren Sandler offers a vivid glimpse into the fast-growing world of women “having it all without having children.” She not only lets us see the statistics; she also lets us hear the voices of the women they document. The statistics themselves are dramatic: for example, about one in five American women now bear no children, compared to one in ten in the 1970s. We’re talking about remarkably quick demographic change.

The Rise and Fall of Katharine Hepburn’s Fake Accent:

HEPBURN“Play it, Sam. Play ‘As Time Goes By,'” purrs a moon-faced Ingrid Bergman in the now-famous scene from 1942’s Casablanca. Staccato t’s and accordion-stretched a’s lend a musical flavor to Bergman’s lilt. “Early” becomes “euh-ly” and “perhaps” unfolds as “peuh-haps.'”

The grandeur and glamor in her voice, though, is a sham.

You Can Do Anything: Must Every Kids’ Movie Reinforce the Cult of Self-Esteem?

good-grief-charlie-brownFor all the chatter about the formulaic sameness of Hollywood movies, no genre in recent years has been more thematically rigid than the computer-animated children’s movie. These films have been infected with what might be called the magic-feather syndrome. As with the titular character in Walt Disney’s 1943 animated feature Dumbo, these movies revolve around anthropomorphized outcasts who must overcome the restrictions of their societies or even species to realize their impossible dreams. Almost uniformly, the protagonists’ primary liability, such as Dumbo’s giant ears, eventually turns into their greatest strength.

Enjoying John Mayer’s New Album Does Not Make You a Bad Person:

954867_10151686223176252_1578322741_nI was into John Mayer before he was big. I was into him when he was so small-time; he couldn’t even afford velvet bandanas. His guitar strings were old shoelaces. He was still a kid. He was so small. He didn’t even know what a bandana was. He was still in his mother’s uterus, banging on the walls, screaming to be let out so he could make the world sing.

Ripping Off Young America: The College-Loan Scandal:

Studnet-Debt-1On May 31st, president Barack Obama strolled into the bright sunlight of the Rose Garden, covered from head to toe in the slime and ooze of the Benghazi and IRS scandals. In a Karl Rove-ian masterstroke, he simply pretended they weren’t there and changed the subject. The topic? Student loans. Unless Congress took action soon, he warned, the relatively low 3.4 percent interest rates on key federal student loans would double. Obama knew the Republicans would make a scene over extending the subsidized loan program, and that he could corner them into looking like obstructionist meanies out to snatch the lollipop of higher education from America’s youth. “We cannot price the middle class or folks who are willing to work hard to get into the middle class,” he said sternly, “out of a college education.”

When Mentoring Exposes Your Idol of Being Needed:

mentorSharing the gospel is inextricably tied to sharing other aspects of life with those we’re mentoring. Consider what the apostle Paul says: “We loved you so much that we were delighted to share with you not only the gospel of God but our lives as well, because you had become so dear to us” (1 Thessalonians 2:8). Biblical mentoring requires engaging the whole person for more than just a scheduled time each week or month. It includes meeting for lunch or coffee, showing up for an important event in the life of the woman you’re mentoring, inviting her to be part of your life or family, serving together, and even enjoying together the seemingly “frivolous” activities such as watching a movie or going shopping.

Christianity · Christmas · mbird.com · Music · Peanuts · Star Trek · Uncategorized

Owl Post 12-10-12

Owl Post: 2-3-2012

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That’s What Christmas Is All About, Charlie Brown: Law and Gospel According to Peanuts:

Christmas is fast approaching, so I find myself thinking about the very first—and arguably most famous—of the Peanuts‘ television specials: A Charlie Brown Christmas (1965), which is already airing on ABC and is available to stream on Hulu. Frankly, this post is long overdue: I have intended to write more about Charles Schulz’sPeanuts and its relationship to the theological categories of Law and Gospel since my previous post on the subject months ago. This time I take a look at Charlie Brown’s Christmas tree.

SKYFALL: Building a Better Bond:

We’ve always just known that Bond is Bond. James Bond.

Curious then, that Skyfall is not only being hailed by some as the best Bond film ever made, but  it also makes us realize we’ve been watching a trilogy of prequels that set up 007 to become the man we’ve always known. Throughout the last half of the twentieth century,  no matter who played him or what villain he faced, there were certain things you could always count on about him, from the resolute and relentless demeanor to the wry lines and unmatched swagger. However, what we come to realize now in the 21st century is that becoming Bond took a lot of loss, healing, and facing himself in the mirror.

How People Change:

Nick Crews was, by his own admission, a middling father. He enjoyed cuddling with his three kids, but he was frequently away on naval deployments and didn’t stay in touch with them once they went off to boarding school.

Over the years, Crews has watched his children (the oldest is now 40) make a series of terrible decisions. “I bought into the fashionable philosophy of not interfering; letting the children find themselves,” he told Cristina Odone of The Telegraph of London.

The Blessed Union of Two Dead Singletons:

One of the trending articles over at the Atlantic’s website is one entitled, “Single People Should Get to Have Weddings Too.” It’s not the first timethey’ve talked explicitly about the singlehood issue. It talks about the “extraordinary rise of living alone” as “the biggest modern social change we’ve yet to identify,” its liberating appeal, and the trenchant cultural norms standing in its way. Adult lives, Millie Kerr writes, are judged on benchmarks beyond singlehood—marriage, babies, homebuying—which means single people don’t get celebrated. She asks, “When will barometers of celebration reflect the growing number of singletons?”

How Leonard Cohen’s ‘Hallelujah’ Became Everybody’s ‘Hallelujah’:

Pop standards don’t really get written anymore. Most of the best-known standards were composed before the arrival of rock and roll; perhaps something about the new brand of mass-marketed, Ed Sullivan-fueled stardom just didn’t quite jive with the generous old-world tradition of passing songs around the circuit, offering to share.

So when an obscure Leonard Cohen song from 1984 was resurrected in the ’90s, then repurposed and reinvented by other artists so many times it became a latter-day secular hymn—well, that was kind of like a pop-music unicorn sighting.

Is the Student Loan Debt Crisis Worse Than We Thought?

A new report from the Federal Reserve Bank of New York delivers generally positive news about the economy with one glaring exception: student loan debt. The amount of debt and delinquencies are climbing, and some experts say the official numbers don’t even capture how big the problem really is.

Jonathan Frakes: Why Roddenberry wanted Riker to have a beard:

The best thing about the Star Trek: The Next Generation Blu-rays isn’t the improved video quality, it’s this second renaissance that the series seems to be having. Suddenly, the actors are coming out for interviews and we’re finding out more than we thought there ever was to know. For example, a secret about the Riker beard.

abortion · Billy Joel · Books · Christianity · Christmas · Kevin DeYoung · Marriage · mbird.com · Mockingjay · Music · Parenthood · The Avett Brothers · The Hunger Games · The Psalms · Tim Challies

Owl Post 11-28-12

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Purchasing Joy:

Through the weekend that follows Thanksgiving I have been maintaining a page that provides a round-up of Black Friday and Cyber Monday deals that are of particular interest to Christians. This is something I have done for several years now, yet every year I do it with a bit of a guilty conscience. There are both benefits and drawbacks to publicizing deals like these. On the one hand, it is a means of connecting Christian retailers with people who may be interested in taking advantage of a few pre-Christmas deals, but on the other hand it may just feed the consumerism that is rampant both outside the church and within.

Eating Poorly, Sleeping Well: Mockingjay and the End of Progress:

There are dystopian novel plots that resolve, and there are those that do not. Commercial success demands resolution, which is a great reason why Collins will have to overcome a credibility barrier with adolescents and young adults if she ever wants to match The Hunger Games trilogy’s sales with future works. Peeta?? Come on – all pulp bestselling authors know that the dark, masculine hunter is supposed to win out in adolescent-lit love triangle. Anyone writing a conventional dystopian epic knows that readers like resolution, and let’s face it, Panem’s new government doesn’t seem particularly promising. Katniss fails in her assassination attempt, which honestly changes the prospective climax into a major letdown. Most people seemed disappointed by the ending in some way or another, but it’s also safe to say that the third book is the most honest – since it alone in the series doesn’t have to appeal to anyone commercially (they’re all buying it anyways), Collins is free to present her undistilled vision for her literature. Even in the raw, oft-disappointing power of Collins’s vision of her characters as weak, suffering, or powerless, audiences still try to recover conventional meanings of glory from her work. “Real or not real?”, the poster at left reads. “Tick, tock, this is a clock”, a poster from Catching Fire reads. And yet, there are no deep musing on Time in this trilogy, no thematic explorations of reality in the way those two posters would suggest. Similarly, the clichéd love triangle disappoints many readers at the end, and the naive theme of political revolution takes an obvious backseat to Katniss’s own internal trauma. Whatever Collins is presenting us with, it’s certainly not the easy romance and suspense which drew people into The Hunger Games, and neither can it be described by simple catchphrases which, quite frankly, are more situational and fun for Collins than universal or philosophical points. Instead, it’s the plot itself that articulates her vision.

Newly Unemployed Newlyweds and Billy Joel’s Fiery Optimism:

I’ve recently become fixated on fire – in both its noun and verb form. This preoccupation began when, three days after returning from my honeymoon, ten days into my marriage, I was fired from my position as a first-time 5th and 6th grade teacher. This jarring turn of events has (much like the beginnings of a B-rated rom-com) led to some soul searching. After weeks of crosswords, wedding thank you notes, episodes of Gilmore Girls, and intermittent moments of panic, I’ve landed on Billy Joel’s 1989 hit “We Didn’t Start theFire” as an unexpected spring of inspiration.

Don’t Sanitize the Psalms:

In some churches, if our public worship and prayers echoed what we find in the Psalms we might find ourselves called before the church board for correction. Unlike the stoic legalist or safe churchman, the psalmist expressed the full range of emotions in worship. He felt no need to pretend that he had it all together. He did not limit himself to safe clichés about God.

A Sigh of Relief: The Avett Brothers and Anne Steele Get Honest:

Peace can be uncomfortably paradoxical. I’ve found that a vast majority of the conversations I have during the week beat around the bush–and the lack of substance only perpetuates existing anxiety. Art has proved to be exceedingly helpful, in that it often points me to an inescapable truth: when feeling stuck, the worst possible thing to do is hide. But we want to hide. Nothing about displaying fears and insecurities seems the least bit freeing.

In their new album, The Carpenter, The Avett Brothers continue their wonderfully raw and beautiful articulation of real life.

Previously on Parenthood, Pt 4: It’s Scary, It’s Really Scary:

Remember that I introduced this series of posts by looking at an earlier episode poignantly titled “Everything is not OK ,” a title that spoke to Adam’s relentless positivity in the face of his wife Kristina’s suffering. Since then Adam has slowly come to grips with the realities of Kristina’s breast cancer, but the most recent episode (#7, “Together”) portrays his continued futile attempts to keep everything “under control” as he says: “I’ve got this taken care of.” The thing is, Kristina isn’t the only one suffering. Adam is, too. His attempts to keep everything at work and at home under control/business-as-usual are basically unconscious efforts to distract himself from the pain. Ironically, he is killing himself by doing so.

Do Pro-Life Policies Even Matter?

One of the persistent myths in the abortion debate is that the pro-life movement doesn’t actually do much to help save lives. You’ll sometimes hear this complaint from pro-lifers themselves who have cynically concluded that pro-life legislation and pro-life legislators don’t accomplish anything that matters to unborn babies. On the other side, pro-choice advocates will claim that the pro-life cause is all about controlling women and regulating sex and don’t do anything to reduce the number of abortions anyway. If there is one thing cynics on both sides can agree on it’s that pro-life policies don’t work.

Please check out my new podcast on Trek.fm, Literary Treks. It is devoted to all things Star Trek in literature; novels, comics and reference books. We talk to authors, have book and comic news as well as cover books in-depth. So give us a listen.

Books · Coffee · Government · Mumford and Sons · Music · Politics · Star Wars · The Clone Wars · Tullian Tchividjian

Owl Post 10-12-12

Confusing Strength With Aggression:

The vice presidential debate was uniquely important because if Paul Ryan won it or did well, the Romney-Ryan ticket’s momentum would be continued or speed up. If he did not, that momentum would slow or stop. So the night carried implications.

New Music: Mumford and Sons’ Babel:

Everyone’s favorite British folk band, Mumford and Sons, and their latest album, Babel, have been a hot news item since the album was released a couple of weeks ago. Depending on who you ask, the band’s music is heartfelt and refreshing, beautifully expressing the human desire for love and grace or maudlin and mediocre, only created to prey on the sentimentality of the general population. Two recent articles on the band illustrate the variety of opinions that have been voiced about Babel and the obvious religious symbolism in the group’s music: the first, “Mumford & Sons Preaches to Masses”, from NPR’s Ann Powers (which DZ mentioned on Friday), speaks to the band’s power to bring religious ideas to the public; and the second,“Mumford & Sons and the Death of Church Music”, comes from The American Conservative’s Jordan Bloom, in a direct reply to Powers’ article, where he connects the vapid sentimentality he sees in contemporary worship music to Mumford and their music. Both of these articles are interesting reads, and they address what I see as the central theme of Mumford and Sons’ music: their incredible ability to introduce Christian and religious symbols to a large audience, imparting grace and hope to their listeners.

Our Glorious Ruin: Tullian Tchividjian on the Suffering that Sets You Free:

Ever since the revolt in Eden, suffering has been inescapable. All of us live and move and have our being amid the wreckage of the Fall. Pain—universal as it is real—haunts us, stalks us, plagues us.

In his new book, Glorious Ruin: How Suffering Sets You Free (David C. Cook), Tullian Tchividjian offers a unique angle on this perennially vexing subject. Rather than focusing on the why or the how of suffering, Tchividjian zooms in on the who, demonstrating that the answer to our pain isn’t finally found in a syllogism but in a Savior—a suffering Savior. If your faith is stirred by this interview and the book, come to Orlando next April to hear Tchividjian lead a workshop at The Gospel Coalition 2013 National Conference on “How Suffering Sets You Free.”

I corresponded with Tchividjian, pastor of Coral Ridge Presbyterian Church in Fort Lauderdale, Florida, about why we need another suffering book, the importance of pressing past why, how the gospel informs our pain, and more.

‘Star Wars: The Clone Wars’ brings the Dark Side to Saturdays:

When animator Dave Filoni was handed the reins of George Lucas’ computer animated series “Star Wars: The Clone Wars” back in 2006, he thought he knew what to expect.

Lucas, the creator and mastermind of the entire multibillion-dollar “Star Wars” operation, would give some initial guidance, notes and feedback and quickly fade away, moving on to tend to other aspects of his Lucasfilm empire. After all, it was a cartoon series aimed a kids, airing on Cartoon Network and regarded by many of the franchise’s older hardcore fans as a nice, but hardly essential, extension of the “Star Wars” experience.

Eat, Pray, Love Like a Badass: Cheryl Strayed, the Oprah Author 2.0:

Cheryl Strayed shifted uncomfortably in her chair onstage at the New York Public Library last week when host Paul Holdengraber mentioned the name “Elizabeth Gilbert.” Knitting her brow, she cocked her head to one side as if to inquire, “Where is this conversation going?” Holdengraber read a piece from the Eat, Pray, Love author that echoed advice Strayed gives readers under her nom de plume Sugar in herbeloved advice column on The Rumpus.

What Drinking Coffee Does to You:

The chances are that you saw the title of this article and winced a little. Usually, things which are enjoyable bring negative side effects to our bodies. Alcohol, chocolate and fast-food are all fine examples of things which are enjoyable at the time but have negative long-term side effects on your health. So how does coffee compete with these ‘naughty’ foods and drink?

Movies · Music · Scores · Soundtracks · Star Wars · Uncategorized

Oxygen of Films

I’ll be up front. I like scores from films, and I have quite a few of them. Recently I have been listening to a lot more of them; this has been brought on by the re-release of the Star Trek scores which are being remastered and presented in full (nothing is better for a film score lover than to get your favorite expanded, it really adds a lot to the enjoyment). In light of these things I thought that I would share some of my favorites with you.

There are two types of scores out there: the ambient score and the thematic score. I was doing some reading on the two and thought I would just allow some people from the film-making industry tell you about them.

The first type is the ambient score. Joss Whedon was talking about what he listens to when he is writing his movies or TV shows and he did a good job explaining the ambient score. He said,

I do listen to music. Movie scores, exclusively, because it’s all about mood and nonspecificity. I love the way modern movie scoring is all about nonspecificity. You know, if I shuffled the tracks from Inception, I challenge you to tell me which is which. But … you feel incredibly heightened during all of it. I don’t know what I’m very excited about but I’m very excited. Or worried. Or sad, I’m not sure which, but it’s all happening. And that’s really great.

He is so right, ambient scores try to set the scene for you. These are not my personal favorites because there is none of that specificity in the music to tell you something about the characters, it is all about the mood music (even though, when done well I really enjoy an ambient score).

The second is the thematic score. I read through The Making of Star Wars by J.W. Rinzler a while back and remembered John Williams talking about the way he wanted its score to sound. He also happens to be the foremost thematic film score composer alive today (and possibly ever).

I think the music relates to the characters and the human problems, even when they are Wookiees, Williams says. This is the gut thrust of the thing in music – a very romantic theme for the Princess, a heroic march for the Jedi Knights….. What we needed where themes of our own, which one could put through all the permutations of a dramatic situation…… I felt we need our own themes, which could be made into a solid dramaturgical glue from start to finish.

What I enjoy most about this type of film score is that it not only informs me about the characters, but it also does a good job of taking me out of this world and pulling me into the world of the film. It is the glue, or as Jimmie Mac from the Forcecast likes to say, “It is the oxygen of the film”. So here are some of my favorites, I hope that you will comment and share your favorites, I am always looking for good scores to add to the iPod.

Star Wars: Episode V – Empire Strikes Back:

This is not only my favorite Star Wars film but also my favorite score. Williams adds to the brilliance of his work in the original film by giving us some of the most beautiful and iconic themes ever created for film. Each of them really makes this score shine. The depth and emotional complexity of the story is accentuated by the perfection of Williams musical cues. Who wouldn’t want to have a theme like Vader’s? Notable tracks are, The Astroid Field, Imperial March and Yoda’s Theme.

Harry Potter and the Sorcerer’s Stone:

I remember seeing this movie for the first time and the first three cords began and it was as if was was being transported into the world of Harry Potter. Williams had captured the magic of Harry in music and made us all feel as though we were part of that universe. Notable tracks are the Prologue and Hedwig’s Theme; even though, honestly, I love this whole score.

Pride and Prejudice:

This is probably my favorite ambient score. I listened to this repeatedly during seminary as I studied and it got me though many long hours. The piano work in the film is exquisite. The tracks are more ambient, but at the same time sweeping themes work their way through the film and anchor us to the character of Elizabeth. Notable tracks are Dawn and Liz on Top of the World. If you like scores and don’t have this one, you should get it right now.

The Man from Snowy River:

This was one of my favorite movies as a kid. The grander of the Australian outback had the feeling of an old western. I have a personal connection to this score in that I learned on of the pieces on the piano as a kid. I loved playing it for people. This is a really fun score with surprising intimacy. Notable tracks are the Main Theme and Jessica’s Theme (Breaking in the Colt).

Hugo:

This is one of the newest score on my list. I find myself listening to a lot. It has such a melodic and listenable quality that I can turn it on while doing anything and be transported to Hugo’s world. Shore captures the loneliness urgency of the characters while subtlety reminding us we are in Paris. Notable tracks are, The Thief and The Invention of Dreams.

I have fond memories of this score. My dad feel asleep to it every night for more years than I can remember. Rachel Portman writes such beautiful themes for films and this one captures the fun, playful and heartfelt story Austen tells. It has the ability to make you feel joyful just by listening to it. Notable tracks are Main Titles and The Dance.

Rudy:

Jerry Goldsmith’s work on Rudy is a perfect example of a score completely setting the tone for a film and gluing every piece of it together. I dare you to listen to it and not want to go out and conquer your dreams. It’s rousing and hopeful melody will have you whistling for days. As an aside Jerry Goldsmith is one of my favorite film composers. Notable tracks are Tryouts and The Final Game.

Jurassic Park:

This score has the privilege of being my first CD. This movie’s score blew me away when I saw it. The majestic nature of the main theme exudes the power that stands up to and accentuates seeing dinosaurs on screen (and for the first time they don’t look like a B movie from the 50’s and 60’s). I played the main theme on the piano as a kid and even now after years of not playing, I can still sit down and play the beginning few cords. Notable tracks are Welcome to Jurassic Park and Remembering Petticoat Lane.

The Lord of the Rings: The Two Towers:

Again, you should be catching a pattern here, favorite film and favorite score from a popular movie series. This is a very thematic score, Shore does a brilliant job of creating the sound of the cultures in Middle Earth, so that when you hear certain refrains you automatically associate it with a people group. What makes this one stand out for me is the theme of the Rohan, it is haunting yet beautiful. This is an epic score and in it’s complete form is nothing short of a masterpiece. Notable tracks are Edoras and The Battle of the Hornburg.

Star trek VI: The Undiscovered Country:

This, like The Empire Strike Back is my favorite Star Trek film and score. This score has recently been updated to the complete score and I am loving it. What is so cool about it is that it sounds like Holst: The Planets: I. Mars, the Bringer of War. The darkness of this score sets it apart from the other Trek movies and establishes the tone for the Original crew’s final mission. Notable tracks are the Overture and Dining on Ashes.

There are many other scores that I love and just don’t have the time to talk about. Here are some  of them: The Mission, Lawrence of Arabia, Raiders of the Lost Ark, Star Trek II: The Wrath of Kahn and Casablanca. What are your favorites and why? Comment and let me know!