Tag Archives: Movies

The Wonder Woman/Man of Steel/Batman v Superman Connection

wwsmWonder Woman has hit the ground running since it came out and has only continued to pick up steam. The reviews have put it in the top 1% of superhero movies and it just had the fourth largest 3rd weekend for a superhero movie behind The Avengers, The Dark Knight and Spider-man.

I’ve seen Wonder Woman four times now and I am surprised that more has not been written about how it’s so similar to Man of Steel. The themes in both movies, for both characters are very similar, what is different is the two characters themselves and their circumstances growing up.

Norman Lao said it best on my Facebook so I will quote him here.

“I think the biggest difference between Clark and Diana are the ways they were raised. Clark was an alien raised by humans who worried what “mankind” would do if they ever discovered his secret. The Kents, knowing full well that mankind is in fact laced with a rich history of paranoia and violence towards not only each other, but that which they fear – especially proof of alien existence – i.e. Kal El, makes them, and especially Jonathan, very wary of how they raise and educate Clark until he needs to reveal himself. Diana on the other hand was raised as a warrior amongst other warriors – training and honing herself to defend the world against and the inevitable return of evil without any exposure the gray and ambiguous nature of good and evil and the spaces in between. I think this is where she actually has the advantage over Clark because she has been raised with extreme and concrete definitions of “good” and “evil. She knows and believes what is right and wrong. These are the fundamental differences in the storytelling and what I believe succeed very well in their respective films.”

Even though Diana and Clark are raised in different circumstances, the lessons they learn are not that different. What is most interesting about them is the ways in which watching the sacrifice of a loved one affects their actions forever. Clark watches his father die in a tornado. Now so much has been said about this scene but the best thing I have read on it comes from The Fanboy Perspective.

dghfgfd1hgdftIn the context of Man of Steel, Jonathan’s death is all about sacrifice, not only Jonathan’s sacrifice but it was also setting up Clark’s sacrifice later on in Man of Steel. Clark learning limitations to his powers mattered little in Man of Steel because he wasn’t so incredibly overpowered to begin with, but to learn about sacrifice and selflessness was paramount for the narrative and development for this version of Superman. Clark sacrificed himself, at least according to Jonathan, for the Earth and in the end Superman sacrificed Krypton and the future of his own kin, for us, for Earth.

The fact that Clark could had done A, B or C in the tornado scene is what made this scene so powerful, that it was a conscious decision by Jonathan and that his death was not a fluke of destiny ie a heart attack. Jonathan’s willing sacrifice basically made the man of steel who he is and who he will become, Earth’s greatest champion. Because let’s face it, when Clark finally becomes Superman, he sacrifices himself for us 100%, and I think Jonathan gave him the courage to do that. Jonathan taught Clark his most defining lesson through his own death and I think that’s rather poetic.

Clark sacrificing himself and his life on Earth for the safety of Earth when Zod first showed up demanding Kal El present himself to them, ‘or else’ is powerful, the only way Clark could protect Martha was by volunteering to leave her behind forever. Superman destroying the world engine on what was very likely a suicide mission. Superman destroying the scout ship and the genesis chamber, which was Krypton’s only chance at living again, and Superman ultimately killing Zod, the last of his brethren. It was all about sacrifice. That’s what Jonathan’s death taught Clark, sacrifice and selflessness, and I think that is the absolute epitome of Superman, and what he represents.

Jonathan’s death scene was the underlying pulse of the entire movie and remains Kal El’s moral compass, long after he’s gone. Sacrifice is what Man of Steel was all about in the end. Superman sacrificing himself, his people and Krypton for us, the shamelessly ungrateful humans. Now I think that’s some powerful storytelling right there. Very few comic book movies even attempt to imbue the sort of heart and internal fortitude that Man of Steel did with Superman.

I also take issue with the popular usage of the word ‘Tornadocide’, that word implies that Jonathan had a suicidal intent when he went back for the family dog, he clearly did not want to die. Jonathan had every intention of coming back to his wife and son but the circumstances quickly changed and Jonathan was forced to make a monumental decision in what was literally, a second. Jonathan had explained to Clark before that there were bigger things at stake than their own lives and in that moment, Jonathan had to decide if he had the courage of his convictions, and he did.

wonder-woman-trailer-image-46Now, this scene for Clark is pivotal for his growth as a character and why he will act the way he does later on and Diana has her moment. Ares almost has Diana. He’s almost convinced her that mankind does not deserve her or is worthy of her protection. Like Zod (who’s name is a lot like God), offered Clark the opportunity to remake the world for the Kryptonian people, Ares offers Diana the same choice, to join him and recreate paradise. What happens in that moment, as Diana, tank raised over her head, ready to bring it down on the worst of humanity, she remembers Steve’s sacrifice.

Remembering Steve make the choice to put the lives of his enemies above himself as well as his friends changes Diana forever. She chooses to believe in the truth about humanity, there is a great darkness within them, yet there is also the ability to transcend that darkness though self-sacrificial love. The word agape in Greek means, “selfless love of one person for another” and that is the love with which Diana fights in the name of. She, like Steve, puts herself on the line, even for those that don’t deserve it.

This not only mirrors Man of Steel, but also Clark’s decision in Batman v Superman. Clark willingly chooses humanity and Earth. He says this is his world and he willingly sacrifices himself for it, even though, as we we have seen, half the world is either afraid of him or worse hates him. Sacrifice is the DC Comics mantra in it’s films and each film has been building on this theme. Loving sacrifice is the hallmark of the truest heroes. At the end of Wonder Woman, Diana emails Bruce, thanking him for bringing back Steve to her, but it’s bigger than that. Remember, Diana has taken a step back from suiting up as a hero. She’s been working from the shadows to inspire humanity. What Bruce has reminded Diana of is the lesson Steve taught her so many years ago and that Clark reenforced not that long ago, loving sacrifice is the best way to inspire love and change in others. So at the end of Wonder Woman, we see her go off, to join Bruce as a team, to help stand between evil and the world. The age of heroes has come again.

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Don’t miss The 602 Club and Cinema Stories episodes about Wonder Woman. For more on Man of Steel, check out The 602 Club #15 and for more on Batman v Superman check out The 602 Club #74 and S20.

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Wonder Woman – Review

C-38A4SXkAAVYkz.jpg-largeThis review does contain Spoilers. Listen to The 602 Club episode as well!

For over 75 years, Wonder Woman has thrilled fans in spectacular fashion, through comics, television shows and cartoons. Yet there was one place were she had still not broken though, the big screen. In 2016 she joined the rest of the DC Comics trinity, Batman and Superman in Zack Snyder’s Batman v Superman, teasing her history in the world and setting up her first solo film.

Story

Diana of Themyscira grows up under the watchful protection of her mother Hippolyta who’s one goal is to keep her daughter safe. To do so, she forbids her daughter from learning how to fight, as well as keeping from her, her true lineage. Diana was not sculpted out of clay and bought to life by Zeus, she is actually a living weapon that Hippolyta and Zeus came together to create as a last defense against Ares, if he should ever return.

Diana and General Antiope (Hippolyta’s sister) have different ideas, they secretly begin Diana’s training and when Hippolyta finds out, Antiope is finally able to convince her sister that it’s the right thing to do. It turns out to be a wise decision as WWI and Steve Trevor accidentally stumble upon Themyscira, leading Diana to embrace who she is to stop Ares once and for all.

Responsibility

Hippolyta does not want her daughter to leave Themyscira. For one thing, if she does, she can never return and secondly, she’s worried about her safety. She asks her daughter not to go, to which Diana replies, “Who will I be if I stay?”.  It may be the seminole question of our day; “Who are we if we shirk our responsibility in the face of evil?”. Diana must make the decision on what kind of person she wants to be. Steve Trevor helps her see the two options in a conversation they have. He tells her that his dad always said their are two options for anyone, do nothing or do something. He says he’s already tried doing nothing and that’s clearly not the answer.

Edmund Burke said, “The only thing necessary for the triumph of evil is for good men to do nothing.” What evils are perpetrated while men and women sit on the sidelines? The most innocent and helpless among us suffer and die while we stick our heads in the social media sand, pretending our outrage helps, when in reality it’s meaningless. Diana and Steve stand against that, they will fight and die for what they know is right, even if no one else around them will.

wonder-woman-embargo-lift-image-full-236508A Time to Fight, A Time to Love

Diana and Steve are able to bring a notebook he stole from one of the villains, Doctor Isabel Maru (Doctor Poison), back to the British, who he is working with. Even though the book clearly lays out the plans for an unstoppable gas, that could kill millions, the men in charge insist that the armistice with Germany is of paramount importance and that the men on the front are expendable in the name of peace. Diana is livid at the thought of men who are willing to sit in rooms, hundreds of miles away from the front, and treat the lives of their men so cavalierly. She and Steve can see the clear and present danger that this breakthrough in poison gas technology could mean for the world if is not destroyed. There is a time to fight and a time for peace and knowing which is which takes wisdom. It also takes courage to stand up and lead the fight, even when it’s not the popular course, but the right one regardless.

As the movie comes to the final confrontation between Ares and Diana, Ares tries to make her see the unworthiness of man. Hippolyta told Diana before she left Themyscira that mankind did not deserve her. As Diana ventures into man’s world she finds it an ugly place that is rife with more greys than she expected. Ares continues to press this idea that man does not deserve her protection, yet it’s something that Steve says and does that helps encourage Diana to do the right thing. Steve is well aware that man does not deserve Diana, but he tells her that maybe it not about what they deserve, but what she believes. Mankind is clearly not good, but they can be. Steve willingly gives up his life to save millions. Though all her experiences, Diana can see that mankind has the potential for good and that it’s though her love of Steve that she is able to see that spark in all men. She chooses to love men and defend them, even though they are unworthy and complete undeserving. Diana and Steve live out the greatest love there is, being willing to give up their lives for others. Diana is a hero that fights for love and to bring peace, to help show mankind a better way. Even in the face of the overwhelming evil man is capable of, she bestows grace and love in place of judgement. She’s the better angel of our nature, encouraging us to stand up for what is right, even if it’s not easy or popular.

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The Movie

Gal Gadot is a star. She sells every moment of this film. She has a wonderful, childlike innocence that is needed to bring this character, raised in paradise to life. Diana’s transformation from innocence to a fuller understanding of the real world is powerful and moving. The chemistry she has with Chris Pine is fantastic. They are the heart and soul of this movie and luckily they do not disappoint.

The fight scenes in the movie are incredible. Many superhero movies these days seem to have similar types of set pieces, but Wonder Woman does a marvelous job of making her fighting style feel fresh, leaving you silently fist-pumping in your seat. Even the more CGI-heavy battle at the end has enough emotion built into it, to make you care about what’s happening.

One final note, Patty Jenkins direction is excellent. This woman needs to be given a sequel, as well as more movies to direct. She understands clearly how to make a superhero movie feel serious and fun all at the same time and that’s not always easy to do.

Wonder Women is the first major female superhero to be given her own movie (yes I discount Catwoman and Elektra as they are more side characters) and it’s a triumph. The film is serious in tone, but with laughs aplenty. It’s the movie we all hoped for and deserve. Wonder Woman is rated 4 and half out of 5 stars.

Guardians of the Galaxy Vol. 2 – Review

guardians_of_the_galaxy_vol_two_new_poster3Don’t miss The 602 Club episode!

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Marvel is a machine. It’s been pumping out hits (with the occasional miss) since Iron Man in 2008. This summer is no exception as the ever popular Guardians of the Galaxy are back in Vol. 2. The first movie was cotton candy, summer fun, so the question is, can this second film find more depth than the first? Luckily, it does.

Family 

Guardians of the Galaxy was about a group of misfits finding family together and Volume 2 is a continuation of that theme. The concept of the the Guardians as family is challenged in this movie as both Peter and Gamora have to deal with prior or blood relatives. Peter finally comes face to face with his father and as Luke found out in The Empire Strikes Back, knowing who your father is, is not always the best thing. Peter’s story mirrors much of Luke’s as he must choose between ruling the galaxy with his father or saving it as a Guardian. He also finds that he may always have had what he was looking for right in front of him.

Peter’s dad is a Celestial, basically a god, who has lived for millions of years and in that time learned to create worlds. Being alone for so long, he found a way to create a physical form and travel the stars, looking for companionship and love. This is how he met Peter’s mother. Ego, the name of Peter’s dad, decides to turn his back on love and embrace a “higher” calling, to expand the universe, remaking worlds in his image.

guardians-of-the-galaxy-2-kurt-russell-chris-prattEgo has spent millennia trying to create progeny that can assist him in his quest to remake the galaxy and Peter is the first child to share his abilities. He’s no longer alone, but it’s not truly family that he is after, it’s just power. He’s come to see himself as above all other life, since he’s immortal, at least as long as his essence is kept alive at the core of the planet he’s constructed. He has divorced himself from the family of beings in the galaxy, placing himself on a higher plane because of his immortality, which enables him to rationalize exterminating whomever and whatever, since comparatively they are inferior. It’s a reminder that the moment people being to see themselves as better than others, it usually leads to marginalization or at it’s worst, extermination.

Gamora and Nebula finally get something to do in this film! They get the opportunity to deal with what has driven them apart and left them at each others throats for so long. They come to terms with the ways in which Thanos drove a wedge between them, used them and realize that they are actually on the same side. Forgiveness is given and it’s a beautiful scene in the movie. It was great to see them really give these actors a storyline to dig into.

The Movie

This movie is not as slickly put together as the first, it does not seem to flow quite as well as the original, but it has more depth and that makes up for it. It’s nice to have the characters go deeper into themselves. It’s still a little cliche, but it feels stronger and more resonant as a film. Because of these things it’s rated 4 out of 5 Baby Groot dances.

PS

Don’t forget to review and rate The 602 Club on Apple Podcasts for your chance to win some incredible, exclusive Guardians of the Galaxy swag (pictured here)! guardians

The Cave

 

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I was talking to one of my favorite people the other day, Kesseljunkie (He’s my podcast partner on Aggressive Negotiations: A Star Wars Podcast as well as a myriad episodes of The 602 Club). As we so frequently do, we were discussing movies, specifically the DC films and the latest Justice League trailer and it brought something to mind.

There is a scene in The Empire Strikes Back where Luke is being trained by Yoda and he asks about a place that seems cold. Yoda says it is a domain of evil and that Luke must go in. Luke asks, “What’s in there?” to which Yoda responds, “Only what you take with you.”.

This got me thinking about how movies and movie theaters are a lot like that cave on Dagobah. Whenever we step into a theater to see a movie or que one up on Netflix we are not going in blind, we bring with us a plethora of preconceptions, experiences and prejudices into that cave that act as weapons for or against the movie which impact the film. Now, unlike Luke, there are certain “weapons” that are impossible for us to completely get rid of when we enter the cave. We cannot discard our prior experiences, but we can curtail out preconceptions and our prejudices, if we are self aware enough to know what they are. The reason this is important is because what we get out of a movie and whether or not we enjoy it greatly depend upon our own point of view. To put it another way, it greatly depends on what we bring with us into the theater.

The reason this struck a cord for me was the way in which this seems to directly apply to the geek culture that I am apart of. Every franchise has it’s diehard followers that will defend anything that comes out of that franchise no matter what it is. Then there are others that will seemingly hate everything a certain franchise does, just because it’s from that franchise. It’s par for the course in the 21st century where everything is one extreme or another and there seems to be no middle ground for anything. Hyperbole is the language of the day, films, tv shows, politicians and everything else all seem to be either the worst or the best thing ever.

Again referencing the conversation in The Empire Strikes Back, Luke asks “But how am I to know the good side from the bad?” and Yoda replies, “You will know. When you are calm, at peace.” We live not only in a world drowning in hyperbole but it’s accentuated by an eternal hype machine. So I want suggest a different path, like the Bendu in the recent Star Wars Rebels season and chose the way of the middle. We must unlearn what we have learned as we walk into the cave. Approach every movie on it’s own merits. As Yoda says, we should clear out minds of our expectations, preconceptions and presuppositions and allow the film to wash over us, absorbing what it’s trying to say and do first. If we get out of a movie, only what we bring to it, then it seems important for us to not enter with a bad attitude in the first place. The neutrality of the middle allows us to, I think, truly judge a film better.

For me personally, this has worked out thusly. I do my utmost to approach every movie on it’s own. I do my best not to prejudge too much on trailers, since many times trailers can be so misleading. I find it best to go in always hoping the movie will be good and allowing the finished product to speak for itself. It’s hard work disarming the weapons I can bring to bare, like previous films in a series, thoughts on a direct or actor, my own prejudices. I’ve found it to be a much more rewarding experience with movies, tv shows and even books to look at it without those weapons. It’s made it easier for me to see and understand the themes, character motivations and what each work is trying to say, which in turn allows me appreciate it more.

Now, does this mean I like everything? Of course not. But it does even help there, because when I don’t like something, this process allows me to be constructively critical about why and what I feel made something not work. With the self awareness that comes from trying to disarm all the weapons I might bring with me into the cave enables me to be, I think, more fair to the film, show our book and not resort to hyperbole, but break it down in a more constructive and valuable way. In the end, almost every movie, book or tv show is not going to be the best or worst thing ever and finding out the muddle in the middle is most of the fun.

George Lucas: A Life – Review

tumblr_o61hphwviy1us2txqo1_1280George Lucas: A Life by Brian Jay Jones.

George Lucas is one of the most enigmatic and fascinating people in Hollywood, although he’d probably resent that statement as his whole life has been about not being part of they Hollywood system. In this new, non-authorized biography, Brian Jay Jones traces Lucas’ quintessentially American story from humble beginnings to titan of the film industry.

The book is split in to 3 parts, Hope, Empire and Return, each on taking on a different part of George’s life and doing their best to synthesize a very full existence in a mere 550 pages (really only 470 as the last 80 pages are notations).

Hope is actually the the best section of the book, chronicling Lucas’ family and his early life as a greaser who found school boring and working for someone else even more so. This is the most formative section of the book, much of who Lucas became would be a direct result of things that happened during this period. The issues with his father (which would play in in his two biggest franchises), his desire to be completely free to do things his way and a car accident that would illuminate the truth of life’s fragility cementing his character. The reason for most everything else Lucas would do in his life could be traced back to his beginnings in Modesto, California.

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Empire tells of Lucas’ fortunes after American Graffiti as he struggle to bring his idea of The Star Wars to screen. Next to his youth, this is the the most integral to who Lucas would become. His experiences with THX-1138 and American Graffiti would set him on course to chart a future away from the influence of the studio and Hollywood system. Everything he did was a move to allow him to make movies without compromising his artistic creativity as well as building a place where others in the industry would be able to do the same. This same drive would also cost him dearly, as he neglected his wife in favor of making his movies and the neglect would cost him his marriage.

Return recounts the journey from the Original Trilogy to the Prequels and the sale of Lucasfilm to Disney. It’s the weakest section of the book, feeling too condensed and too reliant on the most superficial understanding of the Prequels as well as the work that truly went into them. It sadly glosses over the importance of The Clone Wars series as well, making it feel more like a footnote than the project that helped Lucas fall in love with Star Wars all over again. Also left out is the fight with Marin County which lead Lucas to giving up his dream of making the Star Wars sequel trilogy himself and the resignation of selling the company to Disney.

The one true strength in this section is the way it highlights the correlation between Lucas, his divorce and the story of the Prequel Trilogy, especially, Anakin and his choices. After reading this book one can see how much of himself he actually poured into the story. Anakin and Lucas both have the same fall on their way to Empire-building.

lucasWith the strength of the first two sections the book is recommendable, yet it’s not without it’s faults. Frustratingly the last section does devolve into most every criticism of Lucas in the Special Edition to Disney sale that everyone has surely read online. Honestly this can be attributed to the non-authorized nature of the book and the lack of interviews, which would have helped the last section of the book specifically. Peter Jackson is quoted in the book saying about Lucas, “I can’t help feeling that George Lucas has never been fully appreciated by the industry for his remarkable innovations…He’s the Thomas Edison of the modern film industry.” In some ways the book leaves one feeling this way as well. Lucas’ accomplishments in film, his tireless struggle for innovation and consistently putting his hard-earned money where his mouth is, should be given more due. Hopefully this is just the beginning of books to come out about Lucas and here’s to hoping the next is even more in depth, but Jones’ book is a good place to start and is rated 4 out of 5 Death Stars.

 

Best Films of 2016

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If the title is linked, you can find the full review. Plus don’t miss The 602 Club links for the podcast episodes done on many of the films gracing the list.

13-hours-5747c2d34ab3a13 Hours

This movie was a fantastic way to kick off the new year and told the story behind the events of the Benghazi terrorist attack of 2012. This is far and away direct Michael Bay’s best film. Casting is brilliant and the story will have you glued to your seat the entire time. This movie is not to be missed.

 

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The Nice Guys

Director Shane Black delivers a funny buddy movie with Ryan Gosling and Russell Crowe that perfectly captures the 70s. It’s not deep or thought provoking, yet it’s still just a joy to watch. Great soundtrack and perfect for a good laugh.

 

batman-v-superman-dawn-of-justice-ultimate-edition-5776c6dd47d33Batman v Superman: Dawn of Justice 

No movie this year sparked more debate online that this. I love this movie. It’s Ultimate Edition should have been what was released in theaters and to me, that’s the only version I will watch from now on. My original review, while too long to put here sums up the film well,

“This movie is a comic book on screen. It is fun too, do not let the reviews out there fool you, there were moments I was cheering and having a blast. I like that the plotting of Lex throughout the film brings all of the heroes together in the end, as well as sets up the need for the Justice League to form. I thought that Jesse Eisenberg’s Lex Luthor was a refreshing take on a well known character. He brought a manic malevolence to the performance that set him apart from other Luthors we have seen. I also enjoyed the final climax to the movie as the three heroes try to find a way to defeat Doomsday and not destroy another city. The movie is not perfect, but I like is immensely and cannot wait to see it again as well as Zach Snyder’s Director’s Cut on blu ray. This is 4 and a half stars out of 5 for me.” Don’t miss The 602 Club episode on it!

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Captain America: Civil War

The second superhero movie this year where the heroes fight and the second best hero film of the year. My original review encapsulates my thoughts,

“Captain America: Civil War is a fantastic movie and honestly the Avengers movie we all hoped Age of Ultron would be. While I do have some minor quibbles, I feel Spider-man is shoehorned into the film and would have rather had his time devoted to other characters like Agent 13 or Black Panther, it does not detract too much from the enjoyment of the film. This is rated four shields out of five.” Don’t miss The 602 Club episode on it!

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Star Trek Beyond

2016 was the 50th anniversary of Star Trek and honestly and Paramount Studios and CBS Television did an awful job of celebrating. Sadly Paramount’s marketing department dropped the ball with Beyond and it did not perform as well as it could have at the box office which is a shame because the movie is good!

“There are a couple things I don’t like about the film. One, I am not crazy about the action editing which often leaves the viewer wondering what just happened. It is so fast and cut so quick that it is sometimes hard to see or understand what transpired. I also have to say there were no surprises about the story, I leaned over to my wife a few times and called all the “reveals” or plot points well in advance.

What the movie does do well are the characters. The way in which we see them interact and grow is spot on and the introduction to Jaylah is a joy. Here’s to hoping that this is not the last time we see her in Star Trek. On top of all of this, Michael Giacchino has crafted a beautiful score that harkens back to The Motion Picture in some places as well as the best from every Trek movie since.

Star Trek Beyond is a fantastic way to celebrate the 50th anniversary of Star Trek and with the announcement of a 4th film coming in the “Kelvin Timeline”, the future is bright. The film is rated 4 out of 5 detached saucer sections.” Don’t miss The Ready Room episode on it.

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Hell or High Water

“On the plains of West Texas, two brothers systematically rob banks in a desperate attempt to save the family ranch, while a pair of Texas Rangers slowly piece together the evidence leading to a race against the clock. Director David Mackenzie’s new film Hell or High Water intelligently tackles issues of poverty and corporate greed while not losing the heart that leaves the audience thinking long after the last shot…Hell or High Water is the best movie I’ve seen this year. The themes, character work, direction and acting are fantastic. Don’t miss this movie. Hell or High Water is rated 5 out of 5 stars.”

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The Hollars 

Life is so unpredictable and the choices we make are made with so little information, yet they can lead to the most unexpected things. The Hollars, John Krazinski’s new film, is all about life in its messy, glorious joys and sorrows. The story revolves around John Hollar, who is recalled home when his mother is diagnosed with a brain tumor. He is quickly dragged back into his utterly flawed family, a pursuant ex-girlfriend and the need to juggle the pregnant girlfriend he left back in New York. What follows is a poignant reminder of just how important living life to the fullest can be…The Hollars is one of those rare films that comes along, in the midst of towering blockbusters, to remind you of the power of a well-told story. I recommend you go seek this one out and enjoy the simple pleasures of explosion-free cinema.

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The Magnificent Seven

“The 21st century has seen a serious lack of westerns in theaters as they have gone out of style in favor of superhero films. So, who better to bring back the swagger than Antoine Fuqua, director of films like Training Day. This remake of the 1960’s movie stars Denzel Washington as Sam Chisolm, Chris Pratt as Josh Faraday, Ethan Hawke as Goodnight Robicheaux, Vincent D’Onofrio as Jack Horne, Byung-hun Lee as Billy Rocks, Manuel Garcia-Rulfo as Vasquez, a Mexican, Martin Sensmeier as Red Harvest, Haley Bennett as Emma Cullen and Peter Sarsgaard as Bartholomew Bogue, the film’s villain. What follows is a tale of good vs. evil in a western that’s more progressive and just down right fun…The Magnificent Seven is fun, but it also has some interesting things to say along the way. While not perfect, it’s a reminder that the western still has a place today and here’s to hoping that we get more. The movie is rated 4 out of 5 stars.

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Moana

Disney has struck gold again and this time  it’s using Oceanic mythology to tell the coming of age story of it’s title character. The music is fantastic, in fact I like the big song “How Far I’ll Go” much better than Frozen‘s “Let it Go”. The messages here of finding out who you are are classic Disney, yet it’s the addition of the story of community and it’s importance in our lives that set this film apart. It also has an important message about the need to learn from and remember our history. Don’t miss this one.

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Arrival 

This movie blew me away. I did not know what to expect walking it but walking out I was stunned. Beautifully pro-life and profoundly thought provoking as it tackles the ideas of communication and it’s foundational importance in our existence as humans.  I cannot recommend a movie more, 5 out of 5. Don’t miss The 602 Club episode on it!

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Fantastic Beasts and Where to Find Them

“This is the first of five movies in the Fantastic Beasts series, written specifically for the screen by J.K. Rowling. There is a really strength to this since there are no books to compare it to leaving the audience free to enjoy the film for it’s own sake. The movie does a good job of laying the foundations for the world of wizardry in this time period as well as what’s to come in the series. The cast is outstanding, with the relationship between Alison Sudol as Queenie Goldstein and Dan Fogler as Jacob Kowalski being a true highlight. James Newton Howard’s score is good, even if it never reached the heights of Williams and the production value, character design and world building is, well, magical. The film nicely begins it’s journey to telling the history of the Harry Potter universe that we got hints of in the previous series, making it a wonderful addition and expansion to the world, yet, at the same time, it stands on it’s own. Fantastic Beasts and Where to Find Them is rated 4 out of five Bowtruckles.” Don’t miss The 602 Club episode on it!

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Hacksaw Ridge

This is the newest film from director Mel Gibson and it tells the true story of conscientious objector Desmond T. Doss who single handedly saves 75 men in some of the fiercest fighting seen in the Pacific theater during WWII. Desmond’s determination and faith are some of the most inspirational things you will see this year. Don’t miss this movie.

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Rogue One: A Star Wars Story

There is so much to say about this one but my review wraps it up well,

“I’ll get personal, this movie is everything I wanted a new Star Wars movie to be. Pushing the boundaries of what it means to be Star Wars while at the same time respecting the history and the franchise as a whole. Here’s to hoping the rumors of Edwards wanting to direct a Kenobi movie are true. Rogue One is rated 4.5 upside down Death Stars out of 5.” Don’t miss The 602 Club episode on it!

This list is likely to be revised since I have yet to see La La Land and Passengers.

Find The 602 Club on iTunes

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Fantastic Beasts and Where to Find Them – Review

cn6q7eqvyaadlr7-jpg-origGet The 602 Club review is here.

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In 1926 a former Hogwarts student, Newt Scamander travels to New York with a case full of magical creatures only to find himself pulled into the strange world of magic in the United States, which is very different than Britain. The Magical Congress of the United States of America (MACUSA) is embroiled in a situation that threatens the safety of the wizarding community as well as the No-Majs (Muggles). It also jeopardizes the International Statute of Secrecy, risking the exposure of the wizarding world in America. Newt and his beasts may be just the thing needed to help bring to light the true forces at work.

Us vs Them

The Magical community has been hidden from the rest of the world since 1692 when the  International Confederation of Wizards enacted the International Statute of Secrecy to protect itself from Muggles or No-Majs. In America it has created an even stricter divide between the two worlds as witches and wizards are forbidden to marry non-magic folk. It’s created a sense of superiority in the magical community which Tina clearly show when she says to Newt, “Why would I want to marry him?”, pointing at Jacob, a No-Maj that has unwittingly become entangled in the wizarding world. The No-Maj world is no better. Mary Lou Barebone who runs an orphanage and the New Salem Philanthropic Society, works to indoctrinate the children she “cares” for and the people of New York of the dangers go witches and wizards in their midst. There is a real sense of tension that is palpable as each side cloisters in it’s group, spreading fear of the other.

fantastic-beasts-and-where-to-find-them-dan-fogler-alison-sudol-600x400The movie, in subtle ways, slowly undermines this idea of Us vs Them through the character of Jacob. In America, a No-Maj is immediately obliviated (a memory charm) so that they do not remember what they have seen of the wizarding community, yet circumstances in the film make that impossible. Jacob and Newt form a friendship, learn from one another as they share their worlds. Jacob also has a major impact on Tina and Queenie Goldstein who, for the first time in their lives, get to spend significant time with someone from the “other side”. It’s beautiful to see the fear of the unknown vanish as communication leads to the awareness that they’re not that different. In the real world where this happens every day, the message is clear, true knowledge of the “other” side only comes though interaction, communication and an open mind.

Stewardship

Newt loves the magical creatures of the world, the ones that people have discounted or worse, hunted down because of fear and misunderstanding. His main goal in studying, recording and publishing his book is to educate the magical community about the importance of these creatures, their benefits and to encourage their safeguarding. It’s interesting to see how the themes from the magical vs non-magical communities parallel with the magical community’s interaction with magical beasts. When fear, misinformation and lack of education drive people, the consequences to ourselves and the world around us can be devastating. The film, in both places, drives home the importance of cultivating a climate of learning, education and stewardship.

The Movie

This is the first of five movies in the Fantastic Beasts series, written specifically for the screen by J.K. Rowling. There is a really strength to this since there are no books to compare it to leaving the audience free to enjoy the film for it’s own sake. The movie does a good job of laying the foundations for the world of wizardry in this time period as well as what’s to come in the series. The cast is outstanding, with the relationship between Alison Sudol as Queenie Goldstein and Dan Fogler as Jacob Kowalski being a true highlight. James Newton Howard’s score is good, even if it never reached the heights of Williams and the production value, character design and world building is, well, magical. The film nicely begins it’s journey to telling the history of the Harry Potter universe that we got hints of in the previous series, making it a wonderful addition and expansion to the world, yet, at the same time, it stands on it’s own. Fantastic Beasts and Where to Find Them is rated 4 out of five Bowtruckles.

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