Tag Archives: Movies

The 602 Club 19: A Page-Turner of a Movie

tsc-019-th-squareThe Rocketeer.

In 1982 a comic mini series came out that harkened back to the serial adventures from the 1930’s. Dave Steven’s Rocketeer became a classic for comic enthusiasts, with it’s fast pace, noir feel, lush artwork, and more adult themes. Then the Walt Disney company did what it does best, it took a property and remade it in their own image.

In this episode of The 602 Club host Matthew Rushing is joined by Darren Moser and Norman Lao to talk about The Rocketeer. We discuss the comic and whether the movie is an improvement, our first experiences with the film, Joe Johnson learning from the masters on how to direct a homage to the serial, the story, the cast, the music and whether or not it still holds up.

The 602 Club 18: Mr. Darcy Kicks Ass


In 1962 Dr. No hit the big screen and James Bond became the gold standard for spy movies. Throughout the years many films have parodied or paid homage to the spy genre Austin Powers, In Like Flint, Never Say Never Again are just a few examples. Spy movies have continued to be some of the most successful film franchises with The Bourne series as well as Bond still going strong and upcoming sequels are currently the works.

In this episode of The 602 Club host Matthew Rushing is joined by Norman Lao to talk about the latest spy movie, Kingsman: The Secret Service based loosely on Mark Miller’c comic, The Secret Service. We discuss Matthew Vaughn choosing to direct Kingsman over Days of Future Past, being back in the spy game, the idea of a sequel, the themes of the film, the cast, whether seriousness ruins spy movies, plus a few things that just didn’t work.

The 602 Club 17: A Reincarnation of The Matrix

tsc-017-th-squareJupiter Ascending.

Breaking News: Marvel has the rights to use Spider-Man in it’s films and we break it down and share our thoughts on what this will mean for Spider-Man as well as the upcoming Marvel movies.

In 1999 the world of film was changed forever by a film called The Matrix. We were introduced to “bullet time” and for many, this was their first time to hear of the Wachowskis, the writers and directors. The movie left audiences cheering and eagerly anticipating more from this new powerhouse of Hollywood originality. Fast forward to 2015 and the view on them has changed; is their latest a return to the glory days or another disappointment from a once promising team?

In this episode of The 602 Club host Matthew Rushing is joined by Mike Schindler to discuss Jupiter Ascending. We talk through our first impressions from the marketing, making original sic-fi movies, the story, the conversations this film as generated, the visuals, casting, music, rounding out by ranking this in the Wachowski’s body of work.

The 602 Club 15: Road to Becoming the Icon

tsc-015-th-squareMan of Steel.

Every once in a while there is a film that arrives that ignites fandom and creates visceral polarization, Man of Steel has been one of those movies. People seem to love it or hate it, in fact it’s Rotten Tomatoes score indicates that in it’s 55% critical reception. As the cornerstone of the DC cinematic universe, it’s an important film that has set the tone for the movies slated to arrive through the year 2020.

In this super edition of The 602 Club host Matthew Rushing is joined by Justice League members Daniel Proulx, Norman Lao and Will Nguyen to discuss this new take on the original superhero’s beginning. We talk about Krypton, the new Superman suit, the nonlinear nature of the storytelling, Lois Lane and the military, the deaths of Jonathan Kent and Zod as well as the nature of this film as a true origins movie. Listen Here.

Boyhood – Review


Boyhood is the newest film by Richard Linklater who is known for diverse films such as Dazed and Confused, School of Rock and the Before trilogy. This film follows the life of Mason, a young boy growing up in the new American family, a broken one. Seen through his eyes and spanning the 12 years from ages 5 to 18, Boyhood also has the distinction of being filmed over those same 12 years. One of the highlights is watching the natural progression of the characters as they truly age with time. The children go through every awkard stage of development as the parents descend into age’s inevitable trap. It is a unique and special film.


This film is aptly named Boyhood as everyone in the film male and female, young and old, is caught in a perpetual childhood with no guide to full adulthood. The grown-ups may be older, but they are just as lost as everyone else, absentmindedly bouncing from one thing to another while dragging their children along like emotional baggage they’ve inadvertently collected. There is a beautiful ruination in Boyhood as we witness the aimlessness of the characters. No one has any clear idea of the meaning of life or anything resembling a purpose. It’s a sad picture of the lives so many lead and haphazardly pass on to their children.

There is no one to help this boy become a man. All the men he has in his life, in this span of time are petty, immature, some drunk and dangerous or just absent. They are locked into an uninterrupted boyhood, lost as to the meaning of being a man. Without a foundation of faith or belief in God, these men are left to wander the wastelands of video games, ridiculous dreams and booze. They shirk responsibility, hoping to find something better just over that next horizon. It’s utter lostness. Manhood has to be passed from one man to another and there is not one true man in the film. (Except Mason’s dad’s, second wife’s father, who is shown to be an attentive father, husband and grandfather. He and his wife are down home, God-loving people, yet the main characters mock the notion of being a “God person.”)

The most ironic scene and yet the most moving comes near the end of the film. Earlier, Mason’s mom encourages a young hispanic teen who is working at a manual labor job outside their home to go to school. She tells him he is smart and could truly make something of himself if he gets an education. As Mason is heading off to college, his mother and sister accompany him to lunch at a restaurant where the manager comes over to introduce himself only to find that it’s that same teen, now grown up. Because of her words, he has studied English, gone to community college and is finishing his bachelor’s degree. He thanks her for her kindness and tells her children to listen to her because she’s a wise woman. What’s so ironic is that this is the most moving scene in the movie and it’s not between Mason and his mother, but between her and a stranger. She’s had more of a directing, helpful influence on this unknown boy than her own. Proverbs says, “Train up a child in the way he should go; even when he is old he will not depart from it.” Yet in Boyhood, none of the adults know the way their children should go, since they themselves are essentially lost in limbo, having adult bodies with the minds of children.


Boyhood is an important film to see; it’s a masterful achievement in cinematic production. Each vignette in Mason’s life transfers seamlessly to create the illusion that 12 years passes in just under 3 hoursIt also shines a light on the state of the American family. It’s broken and mangled on the rocks of selfishness and the endless adolescence a majority of people find themselves locked in. Children grow up directionless as they are not shepherded to adulthood, but left to muddle through with no purpose or true hope for something better. The movie will leave you with a melancholy unease as exemplified in the closing song that says,

Let me go
I don’t wanna be your hero
I don’t wanna be a big man
Just wanna fight with everyone else

Your masquerade
I don’t wanna be a part of your parade
Everyone deserves a chance to
Walk with everyone else

While holding down
A job to keep my girl around
And maybe buy me some new strings
And her and I out on the weekends

And we can whisper things
Secrets from our American dreams
Baby needs some protection
But I’m a kid like everyone else

There is hope, but it is up to parents to pass it on to their children as they raise them up in the way they should go and to do that, the parents need hope from above.

Everyone who believes that Jesus is the Christ has been born of God, and everyone who loves the Father loves whoever has been born of him. By this we know that we love the children of God, when we love God and obey his commandments. For this is the love of God, that we keep his commandments. And his commandments are not burdensome. For everyone who has been born of God overcomes the world. And this is the victory that has overcome the world—our faith. Who is it that overcomes the world except the one who believes that Jesus is the Son of God? (1 John 5:1-5 ESV)

The 602 Club 14: The Roger Moore of Indiana Jones

tsc-014-th-squareRaiders of the Lost Ark.

As George Lucas vacationed in Hawaii after finishing the original Star Wars, he is joined by Steven Spielberg. Spielberg mentioned that he wants to direct a Bond movie and George tells him he has something better; Indiana Smith. Steven would go on to direct and fortuitously convince George to change the name to Indiana Jones. The rest, as they say, is cinema history.

In this episode of The 602 Club host Matthew Rushing is joined by John Champion and Norman Lao to talk about the original Indy adventure Raiders of the Lost Ark. We discuss if Indy had been played by Tom Selleck, our memories associated with seeing the film for the first time and what kept us coming back for more, the basis for the series, what we love and what still bugs us about the film, the soundtrack, Karen Allen as Marion Ravenwood, plus the question, “Does it hold up for today’s audience?”. Listen Here

The 602 Club 13: Princess Bride Status


Galaxy Quest.

1999 saw the release of three films aimed at sci-fi fandom and more specifically, Star Trek – Free Enterprise, Trekkies and Galaxy Quest. Galaxy Quest seemed to hit that sweet spot for many fans and at Star Trek Las Vegas it’s ranked as a Star Trek Movie.

In this episode of The 602 Club host Matthew Rushing is joined by Norman Lao and Andi VanderKolk to talk about Galaxy Quest. We ask the question of whether it should be considered a Star Trek film, our reactions to the movie then and now, themes, crew dynamics, what works, as well as what doesn’t, if the movie would have been better if it had been rated R and if there should be a sequel. Listen Here