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Owl Post 1-17-13

Owl Post: 2-3-2012

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Kathryn Bigelow on Zero Dark Thirty‘s Torture Controversy:

zero-dark-thirty-posterPersonally, I’ve never had the federal government wage a highly visible veracity-campaign that led to an official Senate Intelligence Committee review into the CIA’s factual sourcing of my movie — but I can imagine it’s pretty uncomfortable! So hats off to Kathryn Bigelow for the smoothness with which she’s handled the debate over Zero Dark Thirty’s torture scenes: Whether it’s been on late-night TV or at critics’ awards, she’s managed to calmly reiterate her quite-convincing message that “depiction is not endorsement, and if it was, no artist could ever portray inhumane practices.” In other words: Come on, dudes, you all know some torture went down on the hunt for Bin Laden, and that’s why it’s in ZDT. I’m not saying it was awesome. I’m just saying it happened. (Special Bonus Hats Off to Bigelow for cooly dealing with this whole HUAC situation while also shrugging off her Oscar snub). Now — whether because she felt the conversation just wasn’t going away, or whether she just felt now was the right time to do so — Bigelow has weighed in more expansively, with a piece in the L.A. Times.

Pain of the New:

2012TheHobbit01PR200912New media technologies often cause an allergic reaction when they first appear. We may find them painful before we find them indispensable.

I watched the movie The Hobbit. Twice. First I saw it in its “standard” mode. A day later I returned to see The Hobbit in 3D at a high frame rate of 48 frames per second, called HFR. HFR is a cinematic hi-tech that promises greater realism. It was amazingly real. And disturbing at first.

Because 48 frames per second is just above the threshold that a human eye/brain can detect changes, the projected picture seems startling whole and “smooth,” as if it were uninterrupted reality.

3 Ways to Live With Joy:

Last week I was captivated by a sunrise. I am one of those people who is “early to bed, early to rise” and have watched many sunrises. I love the dawning of a new day because every day is so full of promise and possibility. Every sunrise lays a new day before us and asks, “What will you do with this day? What will this day be?”

Men Like to Look At Naked Girls On The Internet. Here’s Why They Should Stop That.

I had a bit of a personal crisis when I saw this link from The Huffington Post titled, “Research Suggests that All Men Watch Pornography.” My first thought was that they could not have possibly talked to all men. I know this, because I do not watch pornography. This made me suspicious that the link was tied to a pornographic Web site designed to trick me, the last man standing, into accidentally seeing pornography in order to validate their research. (Or, more disturbingly, it could be that I am not actually a man because I do not watch pornography.)

 

Peanuts to make you laugh

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abortion · mbird.com · Movie Review · Movies · Parenthood · Star Trek · Tolkien

Owl Post 1-9-13

Owl Post 2-17-12

 

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Mockingbird at the Movies: Silver Linings Playbook

JENNIFER LAWRENCE and BRADLEY COOPER star in SILVER LININGS PLAYBOOKIn David O. Russell’s newest film, Silver Linings Playbook, the clinical psychological and psychiatric issues abound: an undiagnosed bipolar disorder, obsessive compulsive disorder, sex addiction. Behind these, though, are the everyday varieties of guilt and self-contempt, delusional thinking and mixed-up love, and some classic rom-com dance competitions for good measure.

Concerning Christopher – An Essay on Tolkien’s Son’s Decision to Not Allow Further Cinematic Licensing of His Work:

9780618126989_p0_v1_s260x420Often, when a lengthy discussion of the Hobbit films takes place, someone asks “What about the other books? What about material from The Silmarillion, orUnfinished Tales? Will these be adapted to the big screen?”

The answer to this question is a simple one. As it stands, the literary executor of J.R.R. Tolkien’s work, his son, Christopher Tolkien, has refused to consider any further licensing of his father’s work for cinematic purposes.

The Year in Television 2012:

51kAMZ85vBL._SX500_Since we’ve been talking so much about television this week, why not go all the way and do our annual recap? Truth be told, it was a slightly off year on the small screen, the first plateau in quality that I can remember in about ten years. A number of the top-drawer shows experienced something of a “downturn”, e.g. Justified and Louie, and new contenders were not quite as numerous. Which isn’t to say there hasn’t been plenty worth watching and commenting on. God no: (This is an interesting list, even though I am not sure I completely agree with all of them)

‘Zero Dark Thirty’ Is Not Pro-Torture:

SUB-24ZERO-articleLargeThere are two ugly interrogation scenes in the opening minutes of Zero Dark Thirty that haunt the rest of the experience, and that have come to haunt critical reception of the film itself.

After we hear the terrified voices of Americans trapped on the upper floors of the burning towers on 9/11 against a black screen, the movie opens on a character named Ammar, suspended from the ceiling by chains attached to both wrists. It is two years later. Ammar is bloody, filthy, and exhausted. We learn quickly that he is an al-Qaeda middleman, and a nephew of Khalid Sheik Mohammad, architect of the 9/11 attacks. Ammar is believed to know details of a pending attack in Saudi Arabia, and he is uncooperative.

TIME Sounds the Alarm: The Pro-Life Cause is Winning

1101130114_600The story – “What Choice?” – is written by Kate Pickert. The main point of the article is that Roe v. Wade hurt the pro-choice cause by delivering the movement’s main goal and by energizing a generation of pro-life activism.

Not surprisingly, the story is biased against the pro-life cause. Though the issue of “personhood” and “life” is alluded to (see below), Pickert never explores the reasons for a surge in pro-life activity. Had she sought to explain the pro-life perspective, she would have shown how this debate is really a showdown between reproductive rights and human rights, and which rights are foundational to freedom.

Can’t we aim higher than ‘Honey Boo Boo’?

No one forced me, but I finally decided it was time to discover what all the business was about Honey Boo Boo.

Even though I’ve made reference to the show featuring a former beauty tot, now 7, and her family, I’d never actually watched a full episode. I still haven’t, but I watched enough to need a jaw adjustment.

Alas, a few minutes with “Here Comes Honey Boo Boo” confirms that even mindlessness has its limits.

Cover Art and Release Date for Star Trek: Enterprise Season 1 on Blu-ray

star-trek-enterprise-season-1-blu-ray-coverIt’s official. The first season of Star Trek: Enterprise will be released on Blu-ray on March 26th.

On Monday, Star Trek visual FX artist Doug Drexler posted the official cover art along with the release date on his Facebook page.

The chosen cover art for the hi-def release, is said to have received the most votes in a StarTrek.com poll, which we reported on back in November.

In addition to the 25 first-season episodes, the first season set will include new audio commentaries with Rick Berman, Brannon Braga, Dan Curry, Mike Sussman, David Livingston, Connor Trinneer and Dominic Keating. Plus a few bonus features, including a three-part documentary, entitled “To Boldly Go: Launching Enterprise”.