Tag Archives: Movie Review

Guardians of the Galaxy Vol. 2 – Review

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Marvel is a machine. It’s been pumping out hits (with the occasional miss) since Iron Man in 2008. This summer is no exception as the ever popular Guardians of the Galaxy are back in Vol. 2. The first movie was cotton candy, summer fun, so the question is, can this second film find more depth than the first? Luckily, it does.

Family 

Guardians of the Galaxy was about a group of misfits finding family together and Volume 2 is a continuation of that theme. The concept of the the Guardians as family is challenged in this movie as both Peter and Gamora have to deal with prior or blood relatives. Peter finally comes face to face with his father and as Luke found out in The Empire Strikes Back, knowing who your father is, is not always the best thing. Peter’s story mirrors much of Luke’s as he must choose between ruling the galaxy with his father or saving it as a Guardian. He also finds that he may always have had what he was looking for right in front of him.

Peter’s dad is a Celestial, basically a god, who has lived for millions of years and in that time learned to create worlds. Being alone for so long, he found a way to create a physical form and travel the stars, looking for companionship and love. This is how he met Peter’s mother. Ego, the name of Peter’s dad, decides to turn his back on love and embrace a “higher” calling, to expand the universe, remaking worlds in his image.

guardians-of-the-galaxy-2-kurt-russell-chris-prattEgo has spent millennia trying to create progeny that can assist him in his quest to remake the galaxy and Peter is the first child to share his abilities. He’s no longer alone, but it’s not truly family that he is after, it’s just power. He’s come to see himself as above all other life, since he’s immortal, at least as long as his essence is kept alive at the core of the planet he’s constructed. He has divorced himself from the family of beings in the galaxy, placing himself on a higher plane because of his immortality, which enables him to rationalize exterminating whomever and whatever, since comparatively they are inferior. It’s a reminder that the moment people being to see themselves as better than others, it usually leads to marginalization or at it’s worst, extermination.

Gamora and Nebula finally get something to do in this film! They get the opportunity to deal with what has driven them apart and left them at each others throats for so long. They come to terms with the ways in which Thanos drove a wedge between them, used them and realize that they are actually on the same side. Forgiveness is given and it’s a beautiful scene in the movie. It was great to see them really give these actors a storyline to dig into.

The Movie

This movie is not as slickly put together as the first, it does not seem to flow quite as well as the original, but it has more depth and that makes up for it. It’s nice to have the characters go deeper into themselves. It’s still a little cliche, but it feels stronger and more resonant as a film. Because of these things it’s rated 4 out of 5 Baby Groot dances.

PS

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The Cave

 

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I was talking to one of my favorite people the other day, Kesseljunkie (He’s my podcast partner on Aggressive Negotiations: A Star Wars Podcast as well as a myriad episodes of The 602 Club). As we so frequently do, we were discussing movies, specifically the DC films and the latest Justice League trailer and it brought something to mind.

There is a scene in The Empire Strikes Back where Luke is being trained by Yoda and he asks about a place that seems cold. Yoda says it is a domain of evil and that Luke must go in. Luke asks, “What’s in there?” to which Yoda responds, “Only what you take with you.”.

This got me thinking about how movies and movie theaters are a lot like that cave on Dagobah. Whenever we step into a theater to see a movie or que one up on Netflix we are not going in blind, we bring with us a plethora of preconceptions, experiences and prejudices into that cave that act as weapons for or against the movie which impact the film. Now, unlike Luke, there are certain “weapons” that are impossible for us to completely get rid of when we enter the cave. We cannot discard our prior experiences, but we can curtail out preconceptions and our prejudices, if we are self aware enough to know what they are. The reason this is important is because what we get out of a movie and whether or not we enjoy it greatly depend upon our own point of view. To put it another way, it greatly depends on what we bring with us into the theater.

The reason this struck a cord for me was the way in which this seems to directly apply to the geek culture that I am apart of. Every franchise has it’s diehard followers that will defend anything that comes out of that franchise no matter what it is. Then there are others that will seemingly hate everything a certain franchise does, just because it’s from that franchise. It’s par for the course in the 21st century where everything is one extreme or another and there seems to be no middle ground for anything. Hyperbole is the language of the day, films, tv shows, politicians and everything else all seem to be either the worst or the best thing ever.

Again referencing the conversation in The Empire Strikes Back, Luke asks “But how am I to know the good side from the bad?” and Yoda replies, “You will know. When you are calm, at peace.” We live not only in a world drowning in hyperbole but it’s accentuated by an eternal hype machine. So I want suggest a different path, like the Bendu in the recent Star Wars Rebels season and chose the way of the middle. We must unlearn what we have learned as we walk into the cave. Approach every movie on it’s own merits. As Yoda says, we should clear out minds of our expectations, preconceptions and presuppositions and allow the film to wash over us, absorbing what it’s trying to say and do first. If we get out of a movie, only what we bring to it, then it seems important for us to not enter with a bad attitude in the first place. The neutrality of the middle allows us to, I think, truly judge a film better.

For me personally, this has worked out thusly. I do my utmost to approach every movie on it’s own. I do my best not to prejudge too much on trailers, since many times trailers can be so misleading. I find it best to go in always hoping the movie will be good and allowing the finished product to speak for itself. It’s hard work disarming the weapons I can bring to bare, like previous films in a series, thoughts on a direct or actor, my own prejudices. I’ve found it to be a much more rewarding experience with movies, tv shows and even books to look at it without those weapons. It’s made it easier for me to see and understand the themes, character motivations and what each work is trying to say, which in turn allows me appreciate it more.

Now, does this mean I like everything? Of course not. But it does even help there, because when I don’t like something, this process allows me to be constructively critical about why and what I feel made something not work. With the self awareness that comes from trying to disarm all the weapons I might bring with me into the cave enables me to be, I think, more fair to the film, show our book and not resort to hyperbole, but break it down in a more constructive and valuable way. In the end, almost every movie, book or tv show is not going to be the best or worst thing ever and finding out the muddle in the middle is most of the fun.

Rogue One: A Star Wars Story – Review

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“It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire.

During the battle, Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet.”

These words are the first thing that anyone ever saw of Star Wars as the film opened in 1977 and now Gareth Edwards has imbued them fully in Rogue One: A Star Wars Story.

Hope Anew

The Rebellion’s struggle just got worse, as it learns that the Empire has created a world-killing weapon named the Death Star. The Rebellion finds itself on the knife’s edge between hope and despair. The council of the Rebellion cannot decide what to do. Do they risk it all by trying to steal the plans, or do they resign themselves to defeat and despair? Jyn challenges the council, “What chance do we have? The question is what choice”. She implores the council to remember that if they do nothing then they’ve sealed the fate of the galaxy and that evil this great cannot go unopposed. It brings to mind Edmund Burke’s famous saying, “The only thing necessary for the triumph of evil is for good men to do nothing.” She encourages them with a refrain Cassian Andor said to her earlier in the movie, “Rebellions are built on hope”. Hope changes everything, it reminds people that the way it is, is not how it has to be. Hope is the spark that, if kindled, creates the fire of change. Change is possible, but it takes sacrifice, determination and some times, lives to see it come about. “So now faith, hope, and love abide, these three; but the greatest of these is love.” It takes faith, faith that a difference can be made, which births hope and it’s all because the love of something greater than themselves leads them to live out the truth that, “Greater love has no one than this, that someone lay down his life for his friends.”

The beauty of the film is that hope is not just a figment of the heroes imaginations. The Force seems quite active, even without the Jedi. It’s moving in mysterious ways and bringing people together that can make a difference. This band of rogues does the impossible, one chance at a time, succeeding in their goal and setting in motion something that will see the end of the Empire.

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The Movie

Gareth Edwards made a Star Wars movie that feels completely different and yet utterly familiar, all at the same time. Like The Clone Wars, Edwards uses cinematic inspirations to pull in the war movie genre and make it a Star Wars movie, emphasis on the war. The nods to great war films of the past are all there and they work perfectly. On top of that you feel the “Star Wars” seeping out of every single frame. The Ghost from Star Wars Rebels can be seen at least 4 times, General Sydulla is called for over the coms at Yavin 4, the sets feel like they came out of a lost arc of The Clone Wars, Saw Gerrera has an important role and so much more. The point here is that Edwards lovingly knits together the history of the Prequel and the Original trilogy and it’s seamless.

Star Wars, when it’s at it’s best, is stretching what it means to be Star Wars by taking other genres and telling a story in the Star Wars universe that aligns with the themes of the saga. Edwards achievement is nothing short of incredible, the movie feels like the Maker’s fingerprints are all over it and it’s the highest compliment that could be paid to the movie.

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The characters are outstanding. K-2so is the best new droid since R2 and Jyn, Cassian, Chirrut, Baze and Bhodi are all welcome additions to the Star Wars canon. Darth Vader’s scenes are chilling (and let’s stop here and just geek out completely that Vader’s castle is finally on screen!) and perfectly played, just enough to leave you wanting more.

The music by Giacchino feels like a welcome addition to the Star Wars franchise, it’s much like The Clone Wars music and only references familiar themes in snippets yet that’s a good thing. The movie needed it’s own identity and the themes he created feel familiar and distinct, perfectly matching the spirit of the movie.

I’ll get personal, this movie is everything I wanted a new Star Wars movie to be. Pushing the boundaries of what it means to be Star Wars while at the same time respecting the history and the franchise as a whole. Here’s to hoping the rumors of Edwards wanting to direct a Kenobi movie are true. Rogue One is rated 4.5 upside down Death Stars out of 5.

Side note, if you did not read the book Catalyst by James Luceno, I highly recommend it. It is the lead-in novel for the movie and it does a fantastic job of filling in everything you’d want to know about Krennic, the Ersos and the Death Star.

 

Best Films of 2016

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If the title is linked, you can find the full review. Plus don’t miss The 602 Club links for the podcast episodes done on many of the films gracing the list.

13-hours-5747c2d34ab3a13 Hours

This movie was a fantastic way to kick off the new year and told the story behind the events of the Benghazi terrorist attack of 2012. This is far and away direct Michael Bay’s best film. Casting is brilliant and the story will have you glued to your seat the entire time. This movie is not to be missed.

 

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The Nice Guys

Director Shane Black delivers a funny buddy movie with Ryan Gosling and Russell Crowe that perfectly captures the 70s. It’s not deep or thought provoking, yet it’s still just a joy to watch. Great soundtrack and perfect for a good laugh.

 

batman-v-superman-dawn-of-justice-ultimate-edition-5776c6dd47d33Batman v Superman: Dawn of Justice 

No movie this year sparked more debate online that this. I love this movie. It’s Ultimate Edition should have been what was released in theaters and to me, that’s the only version I will watch from now on. My original review, while too long to put here sums up the film well,

“This movie is a comic book on screen. It is fun too, do not let the reviews out there fool you, there were moments I was cheering and having a blast. I like that the plotting of Lex throughout the film brings all of the heroes together in the end, as well as sets up the need for the Justice League to form. I thought that Jesse Eisenberg’s Lex Luthor was a refreshing take on a well known character. He brought a manic malevolence to the performance that set him apart from other Luthors we have seen. I also enjoyed the final climax to the movie as the three heroes try to find a way to defeat Doomsday and not destroy another city. The movie is not perfect, but I like is immensely and cannot wait to see it again as well as Zach Snyder’s Director’s Cut on blu ray. This is 4 and a half stars out of 5 for me.” Don’t miss The 602 Club episode on it!

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Captain America: Civil War

The second superhero movie this year where the heroes fight and the second best hero film of the year. My original review encapsulates my thoughts,

“Captain America: Civil War is a fantastic movie and honestly the Avengers movie we all hoped Age of Ultron would be. While I do have some minor quibbles, I feel Spider-man is shoehorned into the film and would have rather had his time devoted to other characters like Agent 13 or Black Panther, it does not detract too much from the enjoyment of the film. This is rated four shields out of five.” Don’t miss The 602 Club episode on it!

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Star Trek Beyond

2016 was the 50th anniversary of Star Trek and honestly and Paramount Studios and CBS Television did an awful job of celebrating. Sadly Paramount’s marketing department dropped the ball with Beyond and it did not perform as well as it could have at the box office which is a shame because the movie is good!

“There are a couple things I don’t like about the film. One, I am not crazy about the action editing which often leaves the viewer wondering what just happened. It is so fast and cut so quick that it is sometimes hard to see or understand what transpired. I also have to say there were no surprises about the story, I leaned over to my wife a few times and called all the “reveals” or plot points well in advance.

What the movie does do well are the characters. The way in which we see them interact and grow is spot on and the introduction to Jaylah is a joy. Here’s to hoping that this is not the last time we see her in Star Trek. On top of all of this, Michael Giacchino has crafted a beautiful score that harkens back to The Motion Picture in some places as well as the best from every Trek movie since.

Star Trek Beyond is a fantastic way to celebrate the 50th anniversary of Star Trek and with the announcement of a 4th film coming in the “Kelvin Timeline”, the future is bright. The film is rated 4 out of 5 detached saucer sections.” Don’t miss The Ready Room episode on it.

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Hell or High Water

“On the plains of West Texas, two brothers systematically rob banks in a desperate attempt to save the family ranch, while a pair of Texas Rangers slowly piece together the evidence leading to a race against the clock. Director David Mackenzie’s new film Hell or High Water intelligently tackles issues of poverty and corporate greed while not losing the heart that leaves the audience thinking long after the last shot…Hell or High Water is the best movie I’ve seen this year. The themes, character work, direction and acting are fantastic. Don’t miss this movie. Hell or High Water is rated 5 out of 5 stars.”

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The Hollars 

Life is so unpredictable and the choices we make are made with so little information, yet they can lead to the most unexpected things. The Hollars, John Krazinski’s new film, is all about life in its messy, glorious joys and sorrows. The story revolves around John Hollar, who is recalled home when his mother is diagnosed with a brain tumor. He is quickly dragged back into his utterly flawed family, a pursuant ex-girlfriend and the need to juggle the pregnant girlfriend he left back in New York. What follows is a poignant reminder of just how important living life to the fullest can be…The Hollars is one of those rare films that comes along, in the midst of towering blockbusters, to remind you of the power of a well-told story. I recommend you go seek this one out and enjoy the simple pleasures of explosion-free cinema.

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The Magnificent Seven

“The 21st century has seen a serious lack of westerns in theaters as they have gone out of style in favor of superhero films. So, who better to bring back the swagger than Antoine Fuqua, director of films like Training Day. This remake of the 1960’s movie stars Denzel Washington as Sam Chisolm, Chris Pratt as Josh Faraday, Ethan Hawke as Goodnight Robicheaux, Vincent D’Onofrio as Jack Horne, Byung-hun Lee as Billy Rocks, Manuel Garcia-Rulfo as Vasquez, a Mexican, Martin Sensmeier as Red Harvest, Haley Bennett as Emma Cullen and Peter Sarsgaard as Bartholomew Bogue, the film’s villain. What follows is a tale of good vs. evil in a western that’s more progressive and just down right fun…The Magnificent Seven is fun, but it also has some interesting things to say along the way. While not perfect, it’s a reminder that the western still has a place today and here’s to hoping that we get more. The movie is rated 4 out of 5 stars.

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Moana

Disney has struck gold again and this time  it’s using Oceanic mythology to tell the coming of age story of it’s title character. The music is fantastic, in fact I like the big song “How Far I’ll Go” much better than Frozen‘s “Let it Go”. The messages here of finding out who you are are classic Disney, yet it’s the addition of the story of community and it’s importance in our lives that set this film apart. It also has an important message about the need to learn from and remember our history. Don’t miss this one.

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Arrival 

This movie blew me away. I did not know what to expect walking it but walking out I was stunned. Beautifully pro-life and profoundly thought provoking as it tackles the ideas of communication and it’s foundational importance in our existence as humans.  I cannot recommend a movie more, 5 out of 5. Don’t miss The 602 Club episode on it!

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Fantastic Beasts and Where to Find Them

“This is the first of five movies in the Fantastic Beasts series, written specifically for the screen by J.K. Rowling. There is a really strength to this since there are no books to compare it to leaving the audience free to enjoy the film for it’s own sake. The movie does a good job of laying the foundations for the world of wizardry in this time period as well as what’s to come in the series. The cast is outstanding, with the relationship between Alison Sudol as Queenie Goldstein and Dan Fogler as Jacob Kowalski being a true highlight. James Newton Howard’s score is good, even if it never reached the heights of Williams and the production value, character design and world building is, well, magical. The film nicely begins it’s journey to telling the history of the Harry Potter universe that we got hints of in the previous series, making it a wonderful addition and expansion to the world, yet, at the same time, it stands on it’s own. Fantastic Beasts and Where to Find Them is rated 4 out of five Bowtruckles.” Don’t miss The 602 Club episode on it!

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Hacksaw Ridge

This is the newest film from director Mel Gibson and it tells the true story of conscientious objector Desmond T. Doss who single handedly saves 75 men in some of the fiercest fighting seen in the Pacific theater during WWII. Desmond’s determination and faith are some of the most inspirational things you will see this year. Don’t miss this movie.

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Rogue One: A Star Wars Story

There is so much to say about this one but my review wraps it up well,

“I’ll get personal, this movie is everything I wanted a new Star Wars movie to be. Pushing the boundaries of what it means to be Star Wars while at the same time respecting the history and the franchise as a whole. Here’s to hoping the rumors of Edwards wanting to direct a Kenobi movie are true. Rogue One is rated 4.5 upside down Death Stars out of 5.” Don’t miss The 602 Club episode on it!

This list is likely to be revised since I have yet to see La La Land and Passengers.

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Fantastic Beasts and Where to Find Them – Review

cn6q7eqvyaadlr7-jpg-origGet The 602 Club review is here.

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In 1926 a former Hogwarts student, Newt Scamander travels to New York with a case full of magical creatures only to find himself pulled into the strange world of magic in the United States, which is very different than Britain. The Magical Congress of the United States of America (MACUSA) is embroiled in a situation that threatens the safety of the wizarding community as well as the No-Majs (Muggles). It also jeopardizes the International Statute of Secrecy, risking the exposure of the wizarding world in America. Newt and his beasts may be just the thing needed to help bring to light the true forces at work.

Us vs Them

The Magical community has been hidden from the rest of the world since 1692 when the  International Confederation of Wizards enacted the International Statute of Secrecy to protect itself from Muggles or No-Majs. In America it has created an even stricter divide between the two worlds as witches and wizards are forbidden to marry non-magic folk. It’s created a sense of superiority in the magical community which Tina clearly show when she says to Newt, “Why would I want to marry him?”, pointing at Jacob, a No-Maj that has unwittingly become entangled in the wizarding world. The No-Maj world is no better. Mary Lou Barebone who runs an orphanage and the New Salem Philanthropic Society, works to indoctrinate the children she “cares” for and the people of New York of the dangers go witches and wizards in their midst. There is a real sense of tension that is palpable as each side cloisters in it’s group, spreading fear of the other.

fantastic-beasts-and-where-to-find-them-dan-fogler-alison-sudol-600x400The movie, in subtle ways, slowly undermines this idea of Us vs Them through the character of Jacob. In America, a No-Maj is immediately obliviated (a memory charm) so that they do not remember what they have seen of the wizarding community, yet circumstances in the film make that impossible. Jacob and Newt form a friendship, learn from one another as they share their worlds. Jacob also has a major impact on Tina and Queenie Goldstein who, for the first time in their lives, get to spend significant time with someone from the “other side”. It’s beautiful to see the fear of the unknown vanish as communication leads to the awareness that they’re not that different. In the real world where this happens every day, the message is clear, true knowledge of the “other” side only comes though interaction, communication and an open mind.

Stewardship

Newt loves the magical creatures of the world, the ones that people have discounted or worse, hunted down because of fear and misunderstanding. His main goal in studying, recording and publishing his book is to educate the magical community about the importance of these creatures, their benefits and to encourage their safeguarding. It’s interesting to see how the themes from the magical vs non-magical communities parallel with the magical community’s interaction with magical beasts. When fear, misinformation and lack of education drive people, the consequences to ourselves and the world around us can be devastating. The film, in both places, drives home the importance of cultivating a climate of learning, education and stewardship.

The Movie

This is the first of five movies in the Fantastic Beasts series, written specifically for the screen by J.K. Rowling. There is a really strength to this since there are no books to compare it to leaving the audience free to enjoy the film for it’s own sake. The movie does a good job of laying the foundations for the world of wizardry in this time period as well as what’s to come in the series. The cast is outstanding, with the relationship between Alison Sudol as Queenie Goldstein and Dan Fogler as Jacob Kowalski being a true highlight. James Newton Howard’s score is good, even if it never reached the heights of Williams and the production value, character design and world building is, well, magical. The film nicely begins it’s journey to telling the history of the Harry Potter universe that we got hints of in the previous series, making it a wonderful addition and expansion to the world, yet, at the same time, it stands on it’s own. Fantastic Beasts and Where to Find Them is rated 4 out of five Bowtruckles.

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Doctor Strange – Review

doctor_strange_imax_posterThis review contains Spoilers.

Listen to The 602 Club episode here!

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The Marvel Cinematic Universe has given us many types of heroes. There are men in super suits, a boy bitten by a radioactive spider, a man irradiated by gamma rays, a being brought to life by an infinity stone, a norse god, a former Soviet super spy and a guy that’s really good with a bow, plus a girl that’s been made, in-human. Yet in all of this there has been something missing, something that’s a little esoteric and outside reality and this year Marvel fills that void with it’s newest hero, Doctor Strange.

Perfect Fit

Doctor Stephen Strange is the quintessential man of the 21st century. He’s a materialist that believes there is nothing outside his five senses that he or science cannot explain. He’s arrogant and a complete narcissist, incapable of having anything in his life be more important than himself and to top it off he takes no accountability for the actions that lead him to loosing everything; because paying attention to your phone on a windy road while it’s raining is someone else’s fault. The beauty of the film is how he will be confronted by his beliefs and way of life and find it lacking.

All There is

The dominate view in the modern, scientific world is that there is nothing beyond the five senses that cannot or will not be explained by science. The idea of a soul or anything beyond the material is rejected. Strange is firmly in this camp until he finds himself broken from the accident, unable to heal himself though his intellect and medicine. At the end of his rope, he finds hope in another way. The Ancient One literally opens his mind to whole new realms, dimensions, plains of existence and shows just how little he truly know about the nature of reality. Watching him learn how just how inadequate he is brings to mind Isaiah 55: 8-9,

For my thoughts are not your thoughts,
neither are your ways my ways, declares the LORD.
For as the heavens are higher than the earth,
so are my ways higher than your ways
and my thoughts than your thoughts.

Strange must unlearn what he has learned about the universe, in fact Mordo who first finds him and brings him to The Ancient One tells him, “Forget everything that you think you know.”

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Letting Go

During his training, Strange struggles to let go of his feelings of inadequacy because of his disfigured hands, leading him to have difficulty with even the simplest magic. The Ancient One tells him that to find the power he must surrender control before he can gain it back. The idea is ridiculous to him and his “modern” sensibilities, but it mirrors Jesus’ words in Matthew 10, “Whoever finds his life will lose it, and whoever loses his life for my sake will find it.”

Who’s Number One

One of the most important moments in the film is an interaction with Strange and The Ancient One. Strange has begun to excel in his magical studies but his arrogance as a doctor transfers itself to arrogance as a sorcerer until he is challenged to think differently.

The Ancient One: Arrogance and fear still keep you from learning the simplest and most significant lesson of all.

Dr. Stephen Strange: Which is?

The Ancient One: It’s not about you.

It’s an incredible scene that speaks to the biblical idea seen from the beginning of time, that it’s not about us it’s about something much bigger. Watching Strange learn his lesson as he confronts Dormammu, who he has lock in an eternal time loop to save earth, is perfect. Strange is willing to spend beyond eternity, dying over and over again, if that’s what it takes to ensure the safety of the planet. “Greater love has no one than this, that someone lay down his life for his friends.” Strange has finally been able to let go of his arrogance and narcism, realizing that there are more important things that just himself.

The Movie

With all of the praise for the themes, one would assume that the rest of the movie is just as good, but it’s only partially the case. Sadly, the villain suffers the “Marvel Syndrome” which is, a villain that’s not all that interesting or dynamic. And unfortunately this also the case with our main protagonist. Doctor Strange is an arrogant jerk, very similar to Tony Stark and his turn in the movie, while thematically well done is not as impactful as it should be. In the end it seems to easy and the turn lacks any sense of depth that one would expect. The movie gets lost in the kaleidoscope visuals, forgetting that the real story is the characters, leaving the viewer feeling cheated. Doctor Strange feels less like it’s title would suggest and more like another formulaic Marvel origin story.

Luckily Benedict Cumberbatch was cast and immediately has the charisma needed to carry the movie, without him, the lack of depth would be detrimental. All together, the cast is solid with Tilda Swinton, as The Ancient One, the true stand out, even though she does live  beyond this film (which is a loss to the series). The music is good, Michael Giacchino has created one of the more memorable themes in the MCU. All together the movie is thematically wonderful yet suffers from rushed character development and more focus on empty CGI spectacle than heart. Doctor Strange is rate 3.5 out of 5 levitating capes. 

 

The Hollars – Review

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Life is so unpredictable and the choices we make are made with so little information, yet they can lead to the most unexpected things. The Hollars, John Krazinski’s new film, is all about life in its messy, glorious joys and sorrows. The story revolves around John Hollar, who is recalled home when his mother is diagnosed with a brain tumor. He is quickly dragged back into his utterly flawed family, a pursuant ex-girlfriend and the need to juggle the pregnant girlfriend he left back in New York. What follows is a poignant reminder of just how important living life to the fullest can be.

The Struggle of Manhood

I really like the way the movie deals with the issue of manhood and how hard it is to live up to society’s expectations as well as our own. John Hollar is in a job he’s not proud of, with a dream of being a graphic novelist, yet he feels inadequate for the task of completing his book. On top of that, he’s left feeling like he’s a failure in the eyes of his girlfriend. She comes from a wealthy family and he knows he can never provide the kind of life she’s accustomed to.

Don Hollar is John’s dad. He’s spent his life running a plumbing business that is now falling apart. The pain for him, as his life’s work crumbles and the love of his life is in the hospital, threatens to crush what’s left of this sensitive soul.

Ron Hollar, John’s brother, is by all accounts the black sheep of the family. Divorced and forced to live in his parents’ basement because he’s out of work, he’s wrestling with the consequences of his life decisions. It was he that wanted the divorce a few years ago, but now he’s realizing the mistake he made and how much he wishes he could go back.

Each one of these men portrays a different aspect of manhood and just how hard it can be to navigate. Feelings of inadequacy drive men to do many things–pull away from those they love, search for greener pastures or just give up. Each Hollar man in the movie has to find the courage to move forward in the choices he’s made. John finds a way to fully commit to his girlfriend Rebecca, Ron must face the consequences of breaking up his family and Don must find the strength to deal with his business and his wife’s illness. In each situation true manhood shines when responsibility is taken for where their decisions have led them but also when they realize that manhood does not require you to walk though life alone.

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A Few Quick Things 

As a quick aside, the marriage of Don and Sally Hollar is just beautiful. Both young when they married, they might have gone on to do other things, yet they honor one another in the commitment they made to each other. And they show true sacrificial love towards the other, being the rock each other needs in the worst of times. They are far from perfect in their marriage, but they are inspirational.

Another quick aside. Ron’s ex-wife Stacey is seeing the new youth pastor at the church. Now, many times the “Christian” character in the film is there to be the butt of jokes, but here, he’s actually everything you’d want him to be. He’s kind to Ron, looking to actually help him. He steps in after Ron has been arrested in the movie and “rescues” him from the police. He does not force his beliefs on Ron, but gives him a sounding board and helping hand. It’s always a pleasant surprise when Christians in movies are portrayed in a positive light.

Conclusion

The Hollars is one of those rare films that comes along, in the midst of towering blockbusters, to remind you of the power of a well-told story. I recommend you go seek this one out and enjoy the simple pleasures of explosion-free cinema.