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Star Wars: The Last Jedi – Review

ILMVFX_2017-Oct-09Don’t miss The 602 Club  and Cinema Stories reviews!

Two years ago Star Wars roared back into the collective consciousness of the world as The Force Awakens dawned a new era for the saga. The installment left many viewers speechless and eagerly anticipating this return to a galaxy far, far away. Luckily in this era of Disney’s rule, the wait was only 2 years (with a nice side of Rogue One in the middle) for Rian Johnson’s addition, The Last Jedi.

Context 

First, let’s start historically. It is clear that the original “Rebel” generation was unsuccessful in passing on it’s values to the next, as the galaxy has quickly descended back into the universe of pre-prequel. A government that became ineffectual, split into populists and centrists, all the while allowing the First Order to rise, unchallenged because, they’re not really a threat. “Relax, the First Order is the JV squad”. The greed and corruption in the galaxy has returned to what we saw in the prequels, as people line their pockets with ill gotten gain, selling weapons to the highest bidder, on any side. It all boils down to this one truth not being clearly passed on, “freedom isn’t free”, and sadly there are too few in the galaxy who seem to understand that.

Where are you getting all of this, you might ask? Well, not from the movies. All of this has been cobbled together from the ancillary materials that have come out surrounding this new sequel trilogy and that’s only, vaguely been hinted at in the films themselves. The main issue here is that The Force Awakens did very little to set up the context of the galaxy and now The Last Jedi suffers even worse because of it.

Think back to the Original Trilogy, as you watch those movies, you have an instinctive understanding of who all the characters are as well as the overall context of the movies because Lucas based them on archetypes that we know. The heroes’ journey, an evil empire and a a small group of freedom fighters looking to rescue the galaxy. In the Prequels, it’s the fall of a Republic and the story of a man that cannot let go and will do anything to hold on to what he “loves”. Each of these previous trilogies gave us the context we needed to know about the universe as a whole and the characters so that we could understand the journey we were on.

And here’s where this all comes into play, not just with the world building but with the characters. Not only do we not truly understand the state of the galaxy, but we also don’t know the history of these characters and it’s clear the writers of the film don’t either. Say what you will about Lucas, he always knew the history and the future of his creation. Some details may change along the way, but the journey ended up much the same. The same can be said for Rowling with Harry Potter , she knew the end from the beginning, so she understood what each character needed to go through to get them to that end.

8d0b255a-fce7-4718-a50a-bbe1ba16d5e4-screen-shot-2017-12-05-at-121817-pmIt’s been clear from The Force Awakens and now through to The Last Jedi that there is no knowledge of what the end game is for their characters. Writing 101, if you don’t know their past and future, you don’t know how to write their “present”. You can see this in the all of the characters. Take Snoke. We have absolutely no idea who or what he is. We don’t know how he came to power or seduced Ben Solo, he’s a vague phantom menace so that when he goes out like a punk in this movie… well lets just say fans may be arguing whose death was better, Snoke or Boba Fett. Oh and remember Phasma? Well don’t worry, you don’t really need to, turns out she wasn’t all that important any way.

Ben suffers from this same problem we saw with Snoke, he’s completely ill defined and so is his “fall”. As with The Force Awakens, there is still no context to his story other than him having darkness in himself and somehow, Snoke temps him to the dark side. It’s all so nebulous that when he turns on Snoke, I don’t know what to make of it. There is no weight to his decision because I don’t know enough of the history of the character to actually care.

636357292308378766-EP8-FF-000005As bad as this issue is for Ben, my first impression was it was worse for Rey. The ultimate mystery box seemed to still be very much an enigma. The answer we get about her family was vague and unconvincing, I still don’t believe she’s a nobody and while I am frustrated that they skirted the issue of her family, I can see why they sidestepped that to make the focus, who she chooses to be. Her struggle for identity is fascinating. The questions of who we are, is it a product of bloodline, upbringing or are we a sum of our choices and experiences is brilliant. I think the movie comes down on the side of choices and experiences and the idea that personal responsibility is the answer is outstanding. Rey shows us that even though we are personally responsible for ourselves, we are also responsible for those around us, to look after one another, teach each other, guide one another, pass on hope to one another and the chance of redemption.

The most damaged in all of this is Luke Skywalker. We know Luke’s past, how he saved his father, who’d effectively become space Hitler, because he believed there was still good in him. By the end of Return of the Jedi, Luke is the culmination of the collected wisdom of Anakin, Obi-Wan and Yoda but greater because he avoids the mistakes of the past and forges a true, new path for the Jedi. But then, we get nothing. Oh we know Luke started a new Jedi Order and thought he could help Ben, only to be scared by his raw power and darkness. Wait, really? This is the same guy who redeemed Vader but can’t find a way to help Ben? Luke was right, “This is not going to go the way you think.” It’s as if the history of Luke has been forgotten. Now, I get the idea that Luke, like Obi-Wan, feels the pain of taking too much on, but at least Obi-Wan didn’t try to murder his student in his sleep and gave him a chance to change before delivering the “killing” blow.

Now, all that said, the lesson Luke learns about failure being part of life and how to deal with it, is actually a timely one. In life, failure is the best teacher. Yet, again, Luke’s past should have prepared him for this, his knowledge about Anakin and the help of force ghosts like Yoda, Obi-Wan and Qui-Gon, should have been able to help shepherd him through this ordeal, instead of running away to an island to die, screaming, “get off my lawn” to anyone who comes calling.

It is interesting that Kylo and Luke are actual after the same thing, Kylo wants to burn it all down and so does Luke, but for different reasons. Kylo because of his anger at everyone and everything and Luke because of his own hubris. He sees the Jedi as a failure, as well as himself, yet he’s blaming the wrong thing. In the end, it’s people and their choices that lead them to the dark or to the light, not the teachings of the Jedi. The Jedi texts and code are only a guide, that applied properly, promote peace, prosperity and hope in the galaxy. Over a thousand generations is not a bad run. Even though Luke gives Rey a lesson in humility in relation to the Force, it seems much to learn, he still has.

All of the issues I do have, stem from there being no direction for this trilogy. With no clear plan or endgame, this is what is left, each installment trying to make sense of the last, leading to it not always having fullest depth or payoff. This is post modern story telling at it’s worst, characters and plot without history and context that could have been more cohesive with planning.

Pass on What You Have Learned

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Just as the galaxy and the characters in the movie lack context, the original characters fail to pass on their wisdom to the next generation and Luke is the biggest offender here. He seem incapable of passing on what he has learned as Yoda told him to. He’s driven by fear to almost kill Ben, and then the same fear leads him to reject training Rey for most of the movie. When he finally does train her, there is no depth or true substance to what he offers. You’d think someone with access to the original Jedi texts and a few good force ghosts would be able to provide more guidance than what we see.

Just because one has talent at something, does not mean they don’t have to practice, be taught and hone their skills. Rey is never given any of this, in the end, she’s forced to intuit who she should be for herself and from who Luke was, in the Original Trilogy. This may fit into the post modern world of “make your own way and your own truth”, but it’s not Star Wars. Lucas himself said,

Star Wars has always struck a cord with people. There are issues of loyalty, of friendship, of good and evil…I mean, there’s a reason this film is so popular. It’s not that I’m giving out propaganda nobody wants to hear…Knowing that the film was made for a younger audience, I was trying to say, in a simple way, that there is a God and that there is both a good and bad side. You have a choice between them, but the world works much better if you’re on the good side.”

Lucas is clear, wisdom is meant to be passed on, the wisdom of failures and of triumphs.  It’s what both Obi-Wan and Yoda both do for Luke. Yes, they were wrong about Anakin, but that does not mean they didn’t have wisdom to share. Proverbs reminds us, “Listen to advice and accept discipline, and at the end you will be counted among the wise.” And the place to find wisdom is through, as Job reminds us, “Is not wisdom found among the aged? Does not long life bring understanding?” Lucas was once asked how he felt about the human condition and he said,

I am very cynical, as a result, I think the defense I have against it is to be optimistic and tho think people are basically good, although I know in my heart they’re not.

It is clear that he understands that wisdom and goodness must be passed on and taught because they are not something we are born with’. Sadly Rey is left to find her own path, alone. Hopefully the books she saved from the force temple will give her some guidance, now that she is the last Jedi.

Luckily Rey seems to instinctively understand what Luke did at the end of Return of the Jedi, the Jedi are the embodiment of hope and light in the galaxy. Rey allows people to be defined by their choices, not their bloodline or possible history. She does not lose hope in that person’s chance at redemption until they make the choice to turn away from it completely. At that point, she stands on the side of the light, in it’s defense and in the defense of others. I think this is what is frustrating, is that I still feel like Luke should have been the one to show her this and he does, it’s just the Luke from the past not the present.

The only one in the movie doing any actual mentoring is Leia. Her relationship with Poe is a good example of passing on what you have learned. She gives Poe responsibility and then takes the time to discipline him, instruct him and trust him all over again when needed. Sadly the story is muddled with the interjection of Admiral Holdo, but it’s still the best example of someone passing on what they have learned to the next generation and it actually changing the character being taught.

The Movie

The plot of the movie is all over the place. The most glaring issue is with the Resistance story line. They don’t seem to know what to do with them, in the least and it leads to the worst “chase” scenes since Speed 2. There is no logic to what is happening. In space, there is no weight, so it’s all about thrust. If the First Order ships can create enough thrust, they could catch up to the Resistance ships. Another possibility is having a ship jump into the system, in “front” of the Resistance (it’s three dimensional space so there really is no “front”) and take them out. Now here is where context comes in again. Because we have no idea how big the First Order is, are we to assume that all the ships chasing the Resistance are it? And even if they are, could they just not jump “ahead” of the Resistance fleet and be done with it?

1513223317210Another massive plot issue is why Admiral Holdo refuses to tell Poe and the rest of the Resistance her plan. Does she suspect a saboteur or a spy and that’s why? Well, we’ll never know, because the movie gives us no indication what she is thinking. It just creates a bad plot reason for Poe, Finn and Rose to come up with their alternative plan, to give Finn something to do.

As mentioned above, in the previous section, context creates a maelstrom of issues revolving around the plot points between Luke, Snoke, Rey and Ben. This leaves us with not always feeling the fullest weight behind who they are, the choices they make and who they become as the movie ends.

I enjoy the music, the effects are wonderful except that Yoda puppet, not too keen on his look. The design work is not bad here. Canto Bight is cool, but why is it in the movie and why is that not the story for the Resistance? Going to Canto Bight to try and rustle up support for the cause seems like a much more intriguing idea than the universe’s slowest chase. And would it kill the sequel trilogy to have some aliens we know from the rest of the series? What’s it going to take to get a freaking twi’lek in this series?

Another point of contention in the movie is the humor. Lucasfilm seems to be taking a page from the Marvel playbook and has inserted humor everywhere. Humor in itself is not a bad thing and the Star Wars saga is replete with funny moments, but The Last Jedi pushes it too far. So much of the humor that works in Star Wars is the dry, sarcastic kind that is exemplified in The Empire Strikes Back. Here, it feels forced in many places such as the constant porg jokes, Poe’s ribbing of Hux or Finn waking up in a clear suit and leaking fluids everywhere as he walks down the hall. It just does not feel as organic as it needs to, to truly work. The Star Wars franchise has it’s own rules on how things work in it and as Gareth Edwards said, “There’s such a fine line in Star Wars, if you go just slightly to the left it’s not Star Wars, it’s another sci-fi movie that doesn’t feel right. And if you go slightly to the right, you’re just copying what George did. So trying to navigate this thing where it’s new but feels fresh was like the dance that was the process of making the film.”

Conclusion

The Last Jedi suffers under the burden left to it by The Force Awakens. With no clear trajectory or plan for this trilogy, Johnson works to forge his own path but it’s one fraught with plot holes and many times, muddied character motivations. The universe, as it stands, lacks cohesion, history or context and it’s hurting the story. I love that Johnson tired to be different and some of it really works now that I have seen it a second time, while other parts still fall very flat. I love some of the moments in the movie, especially Luke’s noble end and the strong work done with the Rey/Ben/Luke story but Abrams has his work cut out for him with Episode IX. I never thought I’d say this, but J.J. Abrams, you’re our only hope. The Last Jedi is rated 3 out of 5 stars.

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Lady Bird – Review

vMYzdmdmednGmEr0FZaLFZj2ptZLady Bird is the new film from director Greta Gerwig in a semi-autobiographical work staring Saoirse Ronan and Laurie Mefcalf (Gerwig has said nothing in the movie happened to her, but the feelings and core of the movie did). The film is an exploration of the troubled relationship between a mother and daughter, struggling to find understand each other.

Longing

Lady Bird is not actually her name, it’s the name she’s given herself. She’s determined to find out who she is and be that, on her own, with no help from others. She has a profound longing in her soul to be known, loved, understood by herself and others. Her “Lady Bird” moniker is one of her many ways of trying to satisfy this lacking sense of being and belonging. Yet, as we see throughout the movie, her attempts to satiate her desire is through molding herself into what others want. She tries to be what different boys want, reading their same books, smoking what they smoke and this is not limited to just boys. Lady Bird does the same thing with girls, trying to be their friend but “hating” what they hate, telling lies about where she lives to seem “cooler” and shunning her actual life. Her search for meaning leads her from one quicksand to the next, continually finding herself drowning in the disappointment of another false identity.

She works to not only define herself through others, but wrestles with this internally. She  wants to be good at things she already knows she’s not. There’s a brilliant scene that exemplifies this when she’s talking to one the nun’s, at her Catholic school,

Lady Bird: What I’d really like is to be on Math Olympiad.
The Nun: But math isn’t something you’re terribly strong in.
Lady Bird: That we know of yet.

Of course we already do know she’s dismal at math, since we’ve already seen her in math class and the grade she received proves the nun’s point. Lady Bird, like many of us, seeks to be everything she is not because what she is, seems completely incomplete.

Lady Bird is not the only one with this sense of longing, permeating their lives. Her mother grapples with working double shifts at the hospital in an attempt to keep the family afloat. Her father’s depression has worsened because of his inability to find a job, in an culture that sees him as too old to contribute. Lady Bird’s best friend pines over her teacher who is nice to her,  a wishful desire for a father figure that is lacking her life. The film is replete with characters who are aching for something they might not even be able to put a finger on.

The end of the movie beautifully brings all this longing into focus. Lady Bird has gotten her wish to attend college in New York, “…where culture is…”. She’s at a party and starts a conversation with a guy, asks him if he believes in God, to which he says no, because it’s ridiculous and her reply is most interesting. She says, “People go by the names their parents made up for them, but they don’t believe in God.” The next morning, she wakes up on a hospital bed, not remembering how she got there. She leaves and as she walks the streets, asks a man what day it is, he say’s Sunday. She finds her way to a church and as she’s there, you can see the wheels turning in her head. Maybe life is not about being what others want me to be, maybe it’s about being who I was made to be.

To accentuate the point she calls her parents and leaves them a message on the answering machine. She calls herself by her given name Christine for the first time in the movie. She’s dropped all pretense about who she is and begun to accept it. Where she is from, how she was raised, her parents, all of it. It’s a powerful moment.

DI_0SwQVoAAQ9DzA bit earlier in the movie, she’s asked her mother if she likes her. Her mother says to her,

Marion McPherson: I want you to be the very best version of yourself that you can be.
Lady Bird: What if this is the best version?

At the end, Christine accepts who she is, for who she is and it seems that it will actually free her to finally become the best version of herself. She recognizes the name that her parents gave her, which earlier she equated with a belief in God. Maybe she’s realized that the longing to be loved, known and accepted can be fulfilled, if she’ll will take hold of it. She’s been fully known from the beginning of her life. In that conversation with her mother, she wanted her mother to say something nice and her mother ask her, “Do you want me to lie?”. The ugly truth about love is that it does not lie to protect our feelings, it pushes us to see our faults and loves us too much to leave us in them. It’s only by knowing the bad news about who we are that we can be ready to accept the good news.  Tim Keller puts it this way,

“The gospel is this: We are more sinful and flawed in ourselves than we ever dared believe, yet at the very same time we are more loved and accepted in Jesus Christ than we ever dared hope.”

Conclusion

The more I think about the movie the more I like it and that’s always a good sign. It’s well acted and moving. I highly recommend Lady Bird, it’s rated four and a half out of five stars.

Justice League – Review

justice-league-hidden-superman-poster-1040714Listen to The 602 Club review and the Cinema Stories review!

In 2013 Zack Snyder, DC Comics and Warner Brothers started a journey to bring the characters of the comics to screen in a way they had not been seen before. Backed by Christopher Nolan as an executive producer, they began with Man of Steel. Superman’s origin was retold for the first time since 1978, asking the question, “What would it actually be like to actually have this being on our world?”. The saga continued with Batman v Superman, introducing us to a Batman on the edge becoming the villain and an appearance by the enigma known as Wonder Woman. In the end they save the world but lose one of their own. Although Snyder did not direct Wonder Woman, he helped write the story which bookends in the present, to tie into the culmination of all this set up in Justice League.

The Story

The plot of the movie is simple, after the death of Superman, Mother Boxes leftover from a failed invasion by Steppenwolf begin ringing. They sound that the earth is vulnerable and it’s time for Steppenwolf to return to finish what he started. Bruce Wayne has run into the Parademons, scouts for the invasion to come and begins actively recruiting the meta-humans revealed in Batman v Superman to stop what is coming.

Light Shines in the Darkness (Spoilers)

There is a real beauty to the simplicity of the story and it’s themes. Each one of these characters is hiding in some way. Diana’s always been there for the world when it needed her, but she shut herself off from being that inspiration, light and from true human connection after the loss of Steve. Victor Stone (Cyborg) feels lost in the ones and zeros he is now constantly bombarded with since one of the Mother Boxes gave him the ability to be forever connected to all things digital. Barry Allen is socially awkward, living and working with only one goal, to find a way to prove is father innocent of his mother’s murder. Arthur Curry embraces neither the sea or the land, unsure of who he is and still stinging from the perceived abandonment of his mother.

Lastly there is Bruce. He’s hidden so long behind the pain of his parents death, it’s made him, in his own words, less human. He’s hid behind the cowl, which almost completely consumed him. It took Clark to show him the way. Superman’s sacrifice awakens something in Bruce and he begins to slowly reflect the light that Clark had shone so brightly, to others. He shines that light on Arthur and Barry who join the team. He challenges Diana to remember who she is and what she was meant to be and in turn she’s able to nurture that light in Victor.

Coming together, the realize they are not enough. They work to bring Superman back to life with the help of a Mother Box, knowing that he’s truly the world’s only hope. Clark does not take well to being brought back to life until Lois shows up. It’s a touching scene as he’s flown them back to the farm, and they talk in the dawn’s early light. Hope and light are back and in the end he returns to help the team save earth. What makes this so poignant is that it feels like the fulfillment of Jor-El’s prophecy to Clark all the way back in Man of Steel,

You will give the people of Earth an ideal to strive towards. They will race behind you, they will stumble, they will fall. But in time, they will join you in the sun, Kal. In time, you will help them accomplish wonders.

The world we live in has been darker of late. Justice League reminds us that it is only together that we can dive back the darkness. Not through the lock-step unity that Steppenwolf would bring, but through the individual gifts that we’ve been given, working in harmony with one another for the greater good, the sacrificial good.

Characters

This is the best thing about the film. Each one of these characters comes off the screen kind of perfectly. Ezra Miller as Flash distinguishes himself nicely from the one on television. He’s young, inexperience and unsure of his abilities. Cyborg played by Ray Fisher is understated and yet it’s perfect for the role. He’s a young man struggling to find the gift in the tragedy that’s befallen him. Jason Momoa is excellent as the guff man of the ocean who’s just trying to find some meaning in life.

Ben Affleck’s Batman has grown tremendously since Batman v Superman, making good on his promise to not fail Clark in death. Affleck portrays the older Batman trying to learn how to play well with others perfectly. Gal Gadot, what more can be said about how good she is as Wonder Woman? She play’s the progression from who she is at the end of Batman v Superman and in light of the revelations of Wonder Woman so well. Henry Cavill as Superman is a vision. Superman has arrived in all the glory that we’ve been waiting to see from the beginning of Man of Steel. His arc has brought him fully to becoming the icon of truth and justice we all love. Each one of these characters make me want more of each of them. You’re left longing for each of them to be given their next solo outing as well as their next team mission.

The Movie

This movie is by no means perfect. It does feel rushed at only 2 hours. There is a lot happening and it does seem like a bit more time with the stories of the villain, Victor, Barry and Arthur could have helped the audience connect even more with the story. The villain is one note, but it does leave us with more time to focus on the heroes and their journeys to becoming a team. There are places where you wish the effects team had more time with the CGI to refine it and make it better. The best comparison that I can make would be the DC animated films that have come out over the last few years or some of your favorite episodes of Justice League United, if you liked those, you’ll like this. Overall, what wins you over is the team, their dynamic and the charisma they bring to each moment. Justice League is rated 4 out of 5 resurrections.

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A Maligned Movie

tsc-153-th-square-1440In the past 20 years there have been a few movies that have been completely lambasted by fans to the point of almost absurdity. One of them was The Phantom Menace (let’s be honest the entire Prequel Trilogy has been treated this way, Revenge of the Sith to a lesser extent than the first two). No film has received more ridicule and hate than The Phantom Menace….. but is that true? I think there is one that has eclipsed the first Prequel and it’s none other than Indiana Jones and the Kingdom of the Crystal Skull. With this reputation in mind, John Mills and I put this film to the test in the latest episode in The 602 Club. We talk though the whole movie, trying to hit as many points as possible and you might just be surprised where we end. Give it a listen and tell us what you think!

 

War for the Planet of the Apes – Review

war-for-planet-of-the-apes-poster-5Don’t miss The 602 Club episode on the film.

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I’ll admit, in 2011 when Rise of the Planet of the Apes was released, I was a sceptic. Honestly, the trailers did nothing for me, leaving me unimpressed and unmotivated to see the movie in the theater. So I didn’t. I ended up seeing the movie on a whim with some friends, at home, because we had heard so many people raving about it. It won us all over, so much so that after it was over we turned on the original Planet of the Apes because we were so enthused by what we had just seen. Fast forward to 2017 and the last film in the trilogy has been released, War for the Planet of the Apes, completing the saga and leaving me with the same desire, to watch the original to connect the dots.

Mercy

The movie begins with humans attacking an ape base. The apes are able to repel the invaders and Caesar sends four captives back to the human colonel as a peace offering. His message is simple, allow us the woods and the fighting can end. Sadly, there is no mercy in the Colonel, played by Woody Harrelson, only hate and hubris. The Colonel cannot let the apes live, cannot show mercy. He’s driven by fear, fear of the virus, apes and even himself.

There is a moment between Caesar and the Colonel when Caesar has been captured and the Colonel explains his rationale for what he’s doing. Humanity has begun changing again. The Simian flu virus has begun to evolve and it’s leaving humans unable to speak. It’s unclear whether it’s truly affecting their reasoning as well, but the Colonel has no mercy on them, even his own son. He willingly sacrifices his own son and anyone else that is caught with this virus to try to protect the rest of humanity. He speaks of learning from history but his actions shows he clearly hasn’t, as his first reaction with these humans as well as the apes is to just kill what he is afraid of or doesn’t understand.

Caesar finds himself mirroring the Colonel and Koba (from the previous 2 films). As man and specifically the Colonel, continue to take more and more from him, he finds it harder to let go of his own hate and show forgiveness and mercy. Yet, there is a moment in the film, where he’s faced with a similar situation as the Colonel, does he leave his son to die to save the rest of the apes, or does he find another way? He chooses the love of his son and all the other ape children over the “smarter” call. Caesar embodies the idea that the right thing is the right thing to do, even if it’s the hardest thing.

Even after all this, Caesar cannot let go of his hate for the Colonel, so with all his people making their way to safety, he seeks revenge, one last time. What he finds is poetic justice, the Colonel has succumb to the enhanced virus. It takes all Caesar’s will and mercy to not pull the trigger and just walk away. It’s a powerful moment. Caesar let’s go of his hate and thirst for vengeance. It brings to mind Deuteronomy where the Lord says, “Vengeance is Mine, and retribution…”. Here the vengeance is swift and sure, as man’s hubris and god-playing are rewarded with a destructive avalanche and a virus, robbing them of their faculties.

The Unwanted  

war-planet-of-apes-novaOne of the most beautiful messages of the film comes from the mute girl Nova, that Maurice adopts after the apes kill her caretaker that has tried to kill them. This unwanted girl has the updated Simian virus and Caesar would leave her to die (as would the Colonel), yet Maurice shows compassion and love for her. Yes, she is mute, but just because she cannot speak, does not mean she has no value. So many children are lost today because they are unwanted or their parents are told they will be born with a debilitating disease. Nova, because of Maurice’s mercy turns out to be instrumental in saving not just Caesar but the rest of the apes. She might not be able to speak, but her mind is still sharp allowing her to learning sign language from the apes. All humans, born and unborn, sick, infirm or strong and viral, have dignity and the right to life. As with Nova, who might they turn out to be if given the chance to live?

For you formed my inward parts; you knitted me together in my mother’s womb. I praise you, for I am fearfully and wonderfully made. Wonderful are your works; my soul knows it very well. My frame was not hidden from you, when I was being made in secret, intricately woven in the depths of the earth. Your eyes saw my unformed substance; in your book were written, every one of them, the days that were formed for me, when as yet there was none of them. Psalm 139:13-16

The unwanted, the unloved, the accident, the sick, they are all made the same, in the image of God and who have we lost, simply because they were unwanted?

It is also a powerful reminder of our relationship in relation to God. As the Apostle Paul puts in the Book of Romans,

For while we were still weak, at the right time Christ died for the ungodly. For one will scarcely die for a righteous person—though perhaps for a good person one would dare even to die— but God shows his love for us in that while we were still sinners, Christ died for us. Since, therefore, we have now been justified by his blood, much more shall we be saved by him from the wrath of God. For if while we were enemies we were reconciled to God by the death of his Son, much more, now that we are reconciled, shall we be saved by his life. More than that, we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.

We were once enemies of God, yet he shows us mercy and grace, that in our most rebellious and unloveable, he offers forgiveness and reconciliation. A reflection of our closeness to God is our reaction to the most unwanted. Our capacity for mercy, increases as our understanding of our need for it from God expands. For God, no one is unwanted.

For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life. For God did not send his Son into the world to condemn the world, but in order that the world might be saved through him. john 3:16 & 17

The Movie

This movie has so many other themes I could talk about, but honestly, just go see it. It’s a triumph of filmmaking. The effects are some of the best ever seen on screen. There was never a moment I didn’t believe what was happening. The music was moving and perfectly matched to the film. War for the Planet of the Apes is the perfect conclusion to one of the best film trilogies in years. It’s rated 5 out of 5 Bad Apes.

Wonder Woman – Review

C-38A4SXkAAVYkz.jpg-largeThis review does contain Spoilers. Listen to The 602 Club episode as well!

For over 75 years, Wonder Woman has thrilled fans in spectacular fashion, through comics, television shows and cartoons. Yet there was one place were she had still not broken though, the big screen. In 2016 she joined the rest of the DC Comics trinity, Batman and Superman in Zack Snyder’s Batman v Superman, teasing her history in the world and setting up her first solo film.

Story

Diana of Themyscira grows up under the watchful protection of her mother Hippolyta who’s one goal is to keep her daughter safe. To do so, she forbids her daughter from learning how to fight, as well as keeping from her, her true lineage. Diana was not sculpted out of clay and bought to life by Zeus, she is actually a living weapon that Hippolyta and Zeus came together to create as a last defense against Ares, if he should ever return.

Diana and General Antiope (Hippolyta’s sister) have different ideas, they secretly begin Diana’s training and when Hippolyta finds out, Antiope is finally able to convince her sister that it’s the right thing to do. It turns out to be a wise decision as WWI and Steve Trevor accidentally stumble upon Themyscira, leading Diana to embrace who she is to stop Ares once and for all.

Responsibility

Hippolyta does not want her daughter to leave Themyscira. For one thing, if she does, she can never return and secondly, she’s worried about her safety. She asks her daughter not to go, to which Diana replies, “Who will I be if I stay?”.  It may be the seminole question of our day; “Who are we if we shirk our responsibility in the face of evil?”. Diana must make the decision on what kind of person she wants to be. Steve Trevor helps her see the two options in a conversation they have. He tells her that his dad always said their are two options for anyone, do nothing or do something. He says he’s already tried doing nothing and that’s clearly not the answer.

Edmund Burke said, “The only thing necessary for the triumph of evil is for good men to do nothing.” What evils are perpetrated while men and women sit on the sidelines? The most innocent and helpless among us suffer and die while we stick our heads in the social media sand, pretending our outrage helps, when in reality it’s meaningless. Diana and Steve stand against that, they will fight and die for what they know is right, even if no one else around them will.

wonder-woman-embargo-lift-image-full-236508A Time to Fight, A Time to Love

Diana and Steve are able to bring a notebook he stole from one of the villains, Doctor Isabel Maru (Doctor Poison), back to the British, who he is working with. Even though the book clearly lays out the plans for an unstoppable gas, that could kill millions, the men in charge insist that the armistice with Germany is of paramount importance and that the men on the front are expendable in the name of peace. Diana is livid at the thought of men who are willing to sit in rooms, hundreds of miles away from the front, and treat the lives of their men so cavalierly. She and Steve can see the clear and present danger that this breakthrough in poison gas technology could mean for the world if is not destroyed. There is a time to fight and a time for peace and knowing which is which takes wisdom. It also takes courage to stand up and lead the fight, even when it’s not the popular course, but the right one regardless.

As the movie comes to the final confrontation between Ares and Diana, Ares tries to make her see the unworthiness of man. Hippolyta told Diana before she left Themyscira that mankind did not deserve her. As Diana ventures into man’s world she finds it an ugly place that is rife with more greys than she expected. Ares continues to press this idea that man does not deserve her protection, yet it’s something that Steve says and does that helps encourage Diana to do the right thing. Steve is well aware that man does not deserve Diana, but he tells her that maybe it not about what they deserve, but what she believes. Mankind is clearly not good, but they can be. Steve willingly gives up his life to save millions. Though all her experiences, Diana can see that mankind has the potential for good and that it’s though her love of Steve that she is able to see that spark in all men. She chooses to love men and defend them, even though they are unworthy and complete undeserving. Diana and Steve live out the greatest love there is, being willing to give up their lives for others. Diana is a hero that fights for love and to bring peace, to help show mankind a better way. Even in the face of the overwhelming evil man is capable of, she bestows grace and love in place of judgement. She’s the better angel of our nature, encouraging us to stand up for what is right, even if it’s not easy or popular.

Chris-Pine-and-Gal-Gadot-in-Wonder-Woman

The Movie

Gal Gadot is a star. She sells every moment of this film. She has a wonderful, childlike innocence that is needed to bring this character, raised in paradise to life. Diana’s transformation from innocence to a fuller understanding of the real world is powerful and moving. The chemistry she has with Chris Pine is fantastic. They are the heart and soul of this movie and luckily they do not disappoint.

The fight scenes in the movie are incredible. Many superhero movies these days seem to have similar types of set pieces, but Wonder Woman does a marvelous job of making her fighting style feel fresh, leaving you silently fist-pumping in your seat. Even the more CGI-heavy battle at the end has enough emotion built into it, to make you care about what’s happening.

One final note, Patty Jenkins direction is excellent. This woman needs to be given a sequel, as well as more movies to direct. She understands clearly how to make a superhero movie feel serious and fun all at the same time and that’s not always easy to do.

Wonder Women is the first major female superhero to be given her own movie (yes I discount Catwoman and Elektra as they are more side characters) and it’s a triumph. The film is serious in tone, but with laughs aplenty. It’s the movie we all hoped for and deserve. Wonder Woman is rated 4 and half out of 5 stars.

Guardians of the Galaxy Vol. 2 – Review

guardians_of_the_galaxy_vol_two_new_poster3Don’t miss The 602 Club episode!

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Marvel is a machine. It’s been pumping out hits (with the occasional miss) since Iron Man in 2008. This summer is no exception as the ever popular Guardians of the Galaxy are back in Vol. 2. The first movie was cotton candy, summer fun, so the question is, can this second film find more depth than the first? Luckily, it does.

Family 

Guardians of the Galaxy was about a group of misfits finding family together and Volume 2 is a continuation of that theme. The concept of the the Guardians as family is challenged in this movie as both Peter and Gamora have to deal with prior or blood relatives. Peter finally comes face to face with his father and as Luke found out in The Empire Strikes Back, knowing who your father is, is not always the best thing. Peter’s story mirrors much of Luke’s as he must choose between ruling the galaxy with his father or saving it as a Guardian. He also finds that he may always have had what he was looking for right in front of him.

Peter’s dad is a Celestial, basically a god, who has lived for millions of years and in that time learned to create worlds. Being alone for so long, he found a way to create a physical form and travel the stars, looking for companionship and love. This is how he met Peter’s mother. Ego, the name of Peter’s dad, decides to turn his back on love and embrace a “higher” calling, to expand the universe, remaking worlds in his image.

guardians-of-the-galaxy-2-kurt-russell-chris-prattEgo has spent millennia trying to create progeny that can assist him in his quest to remake the galaxy and Peter is the first child to share his abilities. He’s no longer alone, but it’s not truly family that he is after, it’s just power. He’s come to see himself as above all other life, since he’s immortal, at least as long as his essence is kept alive at the core of the planet he’s constructed. He has divorced himself from the family of beings in the galaxy, placing himself on a higher plane because of his immortality, which enables him to rationalize exterminating whomever and whatever, since comparatively they are inferior. It’s a reminder that the moment people being to see themselves as better than others, it usually leads to marginalization or at it’s worst, extermination.

Gamora and Nebula finally get something to do in this film! They get the opportunity to deal with what has driven them apart and left them at each others throats for so long. They come to terms with the ways in which Thanos drove a wedge between them, used them and realize that they are actually on the same side. Forgiveness is given and it’s a beautiful scene in the movie. It was great to see them really give these actors a storyline to dig into.

The Movie

This movie is not as slickly put together as the first, it does not seem to flow quite as well as the original, but it has more depth and that makes up for it. It’s nice to have the characters go deeper into themselves. It’s still a little cliche, but it feels stronger and more resonant as a film. Because of these things it’s rated 4 out of 5 Baby Groot dances.

PS

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