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Say you are getting ready for a blind date or a job interview. What should you do? Besides shower and shave, of course, it turns out you should read — but not just anything. Something by Chekhov or Alice Munro will help you navigate new social territory better than a potboiler by Danielle Steel.
That is the conclusion of a study published Thursday in the journal Science. It found that after reading literary fiction, as opposed to popular fiction or serious nonfiction, people performed better on tests measuring empathy, social perception and emotional intelligence — skills that come in especially handy when you are trying to read someone’s body language or gauge what they might be thinking.
There’s a quotation that astonishes me every time I see it: Dr. Richard Leahy, a prominent psychologist and anxiety specialist, said a couple of years ago that “the average high school kid today has the same level of anxiety as the average psychiatric patient in the early 1950s.” Wow. There’s also a statistic The New York Times reported in 2007, showing that 30 percent of American women admit to taking sleeping pills before bed most nights. And that’s just the ones who admit it!
The news of God’s inexhaustible grace has never been more urgent because the world has never been more exhausted.
As a full-grown adult, I’ve gotten my fair share of dubious looks and halfhearted utterances regarding my young-adult reading habits—“Oh, yeah, you like Harry Potter? So does my 8-year-old nephew!” “Sisterhood of the Traveling … ha-ha-ha-ha.” I’ve heard the behind-the-back jibes as well as the to-my-face criticisms that adult fans of YA are stuck in some sad adolescent existence and, quite possibly, bringing down the collective IQ of our nation by reading below our grade level. Or that we’re just weird.
Thanks to a video interview that Jett Lucas gave to Flicks In the City, the Internet is now abuzz with the idea that his father, George Lucas, will still be involved on some level withDisney‘s new series of Star Wars movies. The newsworthy bits are that George Lucas had actually been working on expanding the franchise a year before the Disney sale, and that Mr. Lucas is in constant contact with new director J. J. Abrams. We obviously don’t know to what extent Lucas will be hands-on or hands-off in regards to the next series of movies, nor do we know to what extent Lucas’s prior ideas, both the aforementioned work he did as well as the rumored already-written scripts for Episodes 7-12 that he had already compiled, will be utilized in the new series. But the question becomes, is a Star Wars film franchise without George Lucas’s involvement really Star Wars, or is it just a generic science-fiction franchise with familiar names and locales?
One of the most memorable of C. S. Lewis’s essays is entitled “The Inner Ring.” It describes our common desire to be accepted within the “inner ring” of whatever group matters to us at the time.To feel “excluded” or “out of it” is miserable. Yet the desire to be “in” can make you say things you would not otherwise say or not say things you should say. This desire to be on the inside of whatever group you aspire to join can affect your relationships at work, in the community, and in the church.
Just a few months ago, the concept of water-cooler television—where weekly episodes become communal, must-see live events that dominate workplace conversations—had become something of an anachronism, at least to those working behind the scenes.
In The New York Times’ August showrunner roundtable, Netflix’s House of Cards creator Beau Willimon declared the end of the singular, common viewing experience, which he argued had been replaced by smaller, “concentric circles” of conversation that better reflected how time-shifting technologies and on-demand options have fragmented audiences. (The rise of second-screen viewing, where audiences live-tweet Scandal, Pretty Little Liars, and more on mobile devices during the show, was said to be the new home for the collective experience.) Later that month, The Guardian excerpted a lecture from Cards‘ Kevin Spacey that touted the success of the Netflix original series as “kill[ing] the watercooler moment.”