Category Archives: Batman

Best Films of 2016

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If the title is linked, you can find the full review. Plus don’t miss The 602 Club links for the podcast episodes done on many of the films gracing the list.

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This movie was a fantastic way to kick off the new year and told the story behind the events of the Benghazi terrorist attack of 2012. This is far and away direct Michael Bay’s best film. Casting is brilliant and the story will have you glued to your seat the entire time. This movie is not to be missed.

 

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The Nice Guys

Director Shane Black delivers a funny buddy movie with Ryan Gosling and Russell Crowe that perfectly captures the 70s. It’s not deep or thought provoking, yet it’s still just a joy to watch. Great soundtrack and perfect for a good laugh.

 

batman-v-superman-dawn-of-justice-ultimate-edition-5776c6dd47d33Batman v Superman: Dawn of Justice 

No movie this year sparked more debate online that this. I love this movie. It’s Ultimate Edition should have been what was released in theaters and to me, that’s the only version I will watch from now on. My original review, while too long to put here sums up the film well,

“This movie is a comic book on screen. It is fun too, do not let the reviews out there fool you, there were moments I was cheering and having a blast. I like that the plotting of Lex throughout the film brings all of the heroes together in the end, as well as sets up the need for the Justice League to form. I thought that Jesse Eisenberg’s Lex Luthor was a refreshing take on a well known character. He brought a manic malevolence to the performance that set him apart from other Luthors we have seen. I also enjoyed the final climax to the movie as the three heroes try to find a way to defeat Doomsday and not destroy another city. The movie is not perfect, but I like is immensely and cannot wait to see it again as well as Zach Snyder’s Director’s Cut on blu ray. This is 4 and a half stars out of 5 for me.” Don’t miss The 602 Club episode on it!

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Captain America: Civil War

The second superhero movie this year where the heroes fight and the second best hero film of the year. My original review encapsulates my thoughts,

“Captain America: Civil War is a fantastic movie and honestly the Avengers movie we all hoped Age of Ultron would be. While I do have some minor quibbles, I feel Spider-man is shoehorned into the film and would have rather had his time devoted to other characters like Agent 13 or Black Panther, it does not detract too much from the enjoyment of the film. This is rated four shields out of five.” Don’t miss The 602 Club episode on it!

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Star Trek Beyond

2016 was the 50th anniversary of Star Trek and honestly and Paramount Studios and CBS Television did an awful job of celebrating. Sadly Paramount’s marketing department dropped the ball with Beyond and it did not perform as well as it could have at the box office which is a shame because the movie is good!

“There are a couple things I don’t like about the film. One, I am not crazy about the action editing which often leaves the viewer wondering what just happened. It is so fast and cut so quick that it is sometimes hard to see or understand what transpired. I also have to say there were no surprises about the story, I leaned over to my wife a few times and called all the “reveals” or plot points well in advance.

What the movie does do well are the characters. The way in which we see them interact and grow is spot on and the introduction to Jaylah is a joy. Here’s to hoping that this is not the last time we see her in Star Trek. On top of all of this, Michael Giacchino has crafted a beautiful score that harkens back to The Motion Picture in some places as well as the best from every Trek movie since.

Star Trek Beyond is a fantastic way to celebrate the 50th anniversary of Star Trek and with the announcement of a 4th film coming in the “Kelvin Timeline”, the future is bright. The film is rated 4 out of 5 detached saucer sections.” Don’t miss The Ready Room episode on it.

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Hell or High Water

“On the plains of West Texas, two brothers systematically rob banks in a desperate attempt to save the family ranch, while a pair of Texas Rangers slowly piece together the evidence leading to a race against the clock. Director David Mackenzie’s new film Hell or High Water intelligently tackles issues of poverty and corporate greed while not losing the heart that leaves the audience thinking long after the last shot…Hell or High Water is the best movie I’ve seen this year. The themes, character work, direction and acting are fantastic. Don’t miss this movie. Hell or High Water is rated 5 out of 5 stars.”

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The Hollars 

Life is so unpredictable and the choices we make are made with so little information, yet they can lead to the most unexpected things. The Hollars, John Krazinski’s new film, is all about life in its messy, glorious joys and sorrows. The story revolves around John Hollar, who is recalled home when his mother is diagnosed with a brain tumor. He is quickly dragged back into his utterly flawed family, a pursuant ex-girlfriend and the need to juggle the pregnant girlfriend he left back in New York. What follows is a poignant reminder of just how important living life to the fullest can be…The Hollars is one of those rare films that comes along, in the midst of towering blockbusters, to remind you of the power of a well-told story. I recommend you go seek this one out and enjoy the simple pleasures of explosion-free cinema.

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The Magnificent Seven

“The 21st century has seen a serious lack of westerns in theaters as they have gone out of style in favor of superhero films. So, who better to bring back the swagger than Antoine Fuqua, director of films like Training Day. This remake of the 1960’s movie stars Denzel Washington as Sam Chisolm, Chris Pratt as Josh Faraday, Ethan Hawke as Goodnight Robicheaux, Vincent D’Onofrio as Jack Horne, Byung-hun Lee as Billy Rocks, Manuel Garcia-Rulfo as Vasquez, a Mexican, Martin Sensmeier as Red Harvest, Haley Bennett as Emma Cullen and Peter Sarsgaard as Bartholomew Bogue, the film’s villain. What follows is a tale of good vs. evil in a western that’s more progressive and just down right fun…The Magnificent Seven is fun, but it also has some interesting things to say along the way. While not perfect, it’s a reminder that the western still has a place today and here’s to hoping that we get more. The movie is rated 4 out of 5 stars.

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Moana

Disney has struck gold again and this time  it’s using Oceanic mythology to tell the coming of age story of it’s title character. The music is fantastic, in fact I like the big song “How Far I’ll Go” much better than Frozen‘s “Let it Go”. The messages here of finding out who you are are classic Disney, yet it’s the addition of the story of community and it’s importance in our lives that set this film apart. It also has an important message about the need to learn from and remember our history. Don’t miss this one.

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Arrival 

This movie blew me away. I did not know what to expect walking it but walking out I was stunned. Beautifully pro-life and profoundly thought provoking as it tackles the ideas of communication and it’s foundational importance in our existence as humans.  I cannot recommend a movie more, 5 out of 5. Don’t miss The 602 Club episode on it!

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Fantastic Beasts and Where to Find Them

“This is the first of five movies in the Fantastic Beasts series, written specifically for the screen by J.K. Rowling. There is a really strength to this since there are no books to compare it to leaving the audience free to enjoy the film for it’s own sake. The movie does a good job of laying the foundations for the world of wizardry in this time period as well as what’s to come in the series. The cast is outstanding, with the relationship between Alison Sudol as Queenie Goldstein and Dan Fogler as Jacob Kowalski being a true highlight. James Newton Howard’s score is good, even if it never reached the heights of Williams and the production value, character design and world building is, well, magical. The film nicely begins it’s journey to telling the history of the Harry Potter universe that we got hints of in the previous series, making it a wonderful addition and expansion to the world, yet, at the same time, it stands on it’s own. Fantastic Beasts and Where to Find Them is rated 4 out of five Bowtruckles.” Don’t miss The 602 Club episode on it!

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Hacksaw Ridge

This is the newest film from director Mel Gibson and it tells the true story of conscientious objector Desmond T. Doss who single handedly saves 75 men in some of the fiercest fighting seen in the Pacific theater during WWII. Desmond’s determination and faith are some of the most inspirational things you will see this year. Don’t miss this movie.

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Rogue One: A Star Wars Story

There is so much to say about this one but my review wraps it up well,

“I’ll get personal, this movie is everything I wanted a new Star Wars movie to be. Pushing the boundaries of what it means to be Star Wars while at the same time respecting the history and the franchise as a whole. Here’s to hoping the rumors of Edwards wanting to direct a Kenobi movie are true. Rogue One is rated 4.5 upside down Death Stars out of 5.” Don’t miss The 602 Club episode on it!

This list is likely to be revised since I have yet to see La La Land and Passengers.

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Suicide Squad – Review

suicide-squad-movie-2016-posterThe 602 Club Review.

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As the would continues to reel from the death of Superman, the U.S. Government wonders what it is going to do without the alien. Having realized how fortunate they were to have a person that shared their values they now worry that the next “superman” might not and if that is the case, who’s going to stop them? Amanda Waller has a plan. She will take the the worst villains and form Secret Task Force X, a group that can be sent against threats while at the same time, thrown under the bus if the mission goes south. Director David Ayer brings this motley crew to life with a deft hand and continues the DC Comics universe. It’s a comic book movie unlike any other and in world crowded with “Franchise” films, it’s a welcome change of pace.

Total Depravity  

The most interesting moment thematically happens in a bar, as the “heroes” begin to share how they got where they are. Diablo tells the heartbreaking story of losing everything that was important to him because his anger caused him to lose control of his power and murder his family. Harley Quinn tells him that he should own who he is, as Boomerang tells her that while she may be pretty on the outside, the inside is dark. She responds back that we’re all dark. It was a well drawn picture of the total depravity of human kind. As Isaiah said, “All we like sheep have gone astray; we have turned—every one—to his own way…”. Each and every character, no matter who they are in the film has darkness in them, even the “good guys”Amanda Waller and Rick Flag, no one is clean. No matter the facade we create we are all as white-washed tombs.  

What is fascinating, is to see that unless the character is psychotic, they long to be better than they are. Deadshot wants his daughter to know him as more than an assassin, Rick Flagg wants to save the woman he loves and Diablo wants to find a way to atone for what he’s done. The struggle of humanity is alive in these characters.

Deal With the Devil

If you could make a deal with the devil for you soul but you would receive in return your heart’s desire, what would that be? What do you worship above all else that you would give anything for? It’s the question that a few of the characters face at the end of the film as Enchantress entices them to join her and in return she will give them what the desire most. The answer was telling, what they want most is a relationship, to be known and loved by someone. Even Harley Quinn wants to be “normal”, two kids and a Joker that is not “The Joker” but a man that works 9-5 and is a loving husband and father. It brings back the picture of Isaiah of each of us going our own way, trying get what we want through our own means yet never achieving it. It’s why the second part of the verse says, “…and the LORD has laid on him, the iniquity of us all.” We cannot be made clean though our own means, what we put on the throne of our lives will determine who we are. Even the good things of family, relationship and love are not strong enough to save us. The world has part of the answer, we are all meant to be know fully and loved, not just temporally but eternally.

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The Movie

One of the real strengths of the film is the way that it uses the existing DC universe. With Superman dead the U.S. Government worries who will protect it from the rising meta-human treat. Plus (Spoilers), this movie also leads directly in to Justice League and why Bruce Wayne is so keen to create a group of heroes. Which, in and of itself is another interesting theme as he looks to create a group of friends, whereas Waller uses leverage and blackmail to get what she wants.

The Joker is completely different from Nolan and Ledger’s which is wise, but also just as creepy. In fact, he feels more like the comic book Joker in many ways, he even has goons that run around in goofy carnival suits which is just unnerving. Honestly, Joker is a minor character in the movie and that is fine. It’s a real strength of the movie that neither Batman or Joker take over the movie, like a comic book they are in a section, play their part and then fade to the background.

Margot Robbie is perfect as Harley Quinn, she looks and feels like the character we’ve know since Batman: The Animated Series. Will Smith is his usual, bad-ass self as Deadshot and his swagger is perfect for the role. Viola Davis is terrifying as Amanda Waller. She is uncompromising and ruthless. Who I want to see more of is Karen Fukuhara as Tatsu Yamashiro aka Katana. She has a presence on screen and the small parts of her story that leak out in the film make me excited to see her again.

Conclusion

Suicide Squad is fun, different and full of interesting themes. The DC Comics universe continues to blossom and it’s a joy to behold. It’s wonderful to see the DC films completely embrace the comic book universe where supermen and magic all exist side by side and that’s just the way it is. Like Kevin Smith, I cannot wait to see it again and I have a feeling my rating may only go up. This film is rated 3.75 out of 5 Bat sightings.

Batman v Superman: Dawn of Justice – Review

thetrinityThis review contains spoilers.

Get The 602 Club review here!

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“Black and blue. Fight night. The greatest gladiator match in the history of the world. God versus man. Day versus night! Son of Krypton versus Bat of Gotham!” – Lex Luthor

Comic fans have been having the argument for over 70 years about who would win in a fight between Superman and Batman. At the end of Man of Steel the production team was looking for the next challenge that Superman would face and in that conversation the idea was thrown out that it should be Batman. Thus was born the genesis of Batman v Superman, Zach Snyder’s newest film in the DC cinematic universe. Pitting a grizzled, bitter Batman against a Superman the world is not sure it wants, Batman v Superman is a serious comic book film that asks big questions while at the same time not loosing heart.

Fear What They Don’t Understand

Martha Kent tells her son that people fear what they do not understand and that theme plays itself out throughout the movie. Lex Luthor plays on the fears of the government, which is not sure what to make of this alien with god-like powers. He is also able to prey on the fear, anger and rage of Bruce Wayne who after 20 years as Batman has seen the loss of a Robin and many so-called “good men”. Fear drives Bruce to see Superman as something that cannot be contained, “That son of a bitch brought the war to us. He has the power to wipe out the entire human race and if we believe there is even a one percent chance that he is our enemy, we have to take it as an absolute certainty” he tells Alfred. He has good reasons, since he was there the day that Zod attacked Metropolis, helplessly watching as he lost friends and employees in one of his buildings.

Fear leads Batman to become even harder and more cruel as he searches for answers because he believes it is duty to save humanity from a threat that cannot be controlled. In light of someone with such power who is the Batman? Alfred, like Yoda before him warns Bruce about fear, “That’s how it starts. The fever, the rage, the feeling of powerlessness that turns good men… cruel.” Because of it, Batman is willing to be the complete vigilante, he will do whatever it takes to get the job done. This is where the “v” in the title comes in to play, will justice be served by the law or by someone like Batman. Superman stands clearly on the side of the law and working with it to bring justice, Batman on the other had is much more willing to dole out justice as he sees fit.

It was striking to see this as a reflection of America. We are being driven by fear, we don’t talk, we just yell at each other from different sides of the aisle and problems never get resolved. We are afraid of everything and it continually eats away at our humanity until there is nothing left. We face the same dilemma, will be be driven by our fear, allowing it to lead us down a dark path, or will we be lead by the better angels of our nature? At this moment the answer is utterly uncertain.

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There is a senate hearing about actions that were taking early in the movie by Superman and the senator played by Holly Hunter talks about the importance of talking to one another in a democracy and working things out together. What is provocative is to see how the “fight” between Batman and Superman has come to a head because they have not talked to one another, they have just assumed things about the other. It is only when these two men do talk that they realize they are being used as pawns and are actually on the same side. The most powerful moment in the movie comes when Batman has Superman down and is ready to strike and Superman asks him to save Martha who has been kidnapped by Lex. In that moment Bruce realizes that he and Clark, though from completely different worlds are exactly the same, men who would do anything to save their mothers and it creates a bridge between them.

It’s a timely reminder that it is through dialogue and communication that most problems get solved. The hard work of setting aside preconceptions and prejudices has to be done if we ever want to make a better world. There is a time to fight but more importantly, there is a time to truly listen, learn and make peace.

Media and the Truth

The movie has a very realistic take on the role of media in our lives. We live in a world of the 24 hour news cycle that has created the era of the sensationalistic sound-bite culture that feeds misinformation constantly. There is very little responsible journalism when getting the story first is more important than getting it right. Clark faces that in the film as he sees the way the Batman is trampling on civil liberties and Perry White yells at him, “Nobody cares about Clark Kent taking on the Batman.” The world has stopped caring about what is moral and right in the news when like everything else it has become a form of entertainment. The movie wonderfully demonstrates this with the likes of Charlie Rose and Anderson Cooper showing up, playing the same roles they do in real life, questioning pundits who have no real knowledge, just half-baked theories built on conjecture. It’s a world where everyone is saying something but no one is listening. This talking heads do nothing but fan the flames of extremism on both sides because it’s good for the ratings and the truth gets trampled in the crossfire.

The film shows the difference of people who have experienced the kindness and help of Superman as apposed to those who have not. It’s shocking to see when he arrives at the capital the demonstrations where half of the people love him and the other half hate him, even though neither sides have probably ever met him or experienced him in person. It plays into the theme of fear perfectly and sadly it looks all too familiar, a world that takes sides with little to no true knowledge of the subject matter at hand.

Consequences 

One of the beauties of the DC cinematic universe so far is the consequences faced by the heroes and the situations that they are in. In Man of Steel an alien terraforming machine was unleashed on the world and two “gods” fought creating massive destruction. This carries in to Batman v Superman as Superman must figure out when is the right time to act, what is the right thing to do and deal with the untended consequences of his actions, even if the action was right. The movie does a good job of showing that Clark is trying to do what is right in all areas of his life, at the newspaper and as Superman, yet he lives in a world where what is right is often not seen as popular or even encouraged.

Perception of his actions have a huge impact on the movie since everything he does is captured, reported on and twisted in a million different ways in the media. It plays in beautifully with the ideas of the media and truth. Superman may have the noblest of intentions but since his actions are often seen or spun differently and it creates a firestorm that he often did not expect. Snyder brilliantly captures the heart of the cynical, jaded and self-important world we live in where it’s not the truth of what happened that matters but your own personal “truth” that is preeminent. We’ve lost the ability to believe in heroes because we’ve lost the belief in good and evil, to accept only our own spin on events. Additionally the blame game is in full effect, since no one these days is responsible for their own actions, it is always the fault of someone else and the one to blame is usually the person trying to do the right thing.

What is incredible about the movie is that it plays all of this out with Superman. His actions to save Lois in the desert from terrorists has led to him being blamed for deaths that he did not cause and the media spin does nothing to help. In the end the whole thing is being orchestrated by Lex to sow the seeds of distrust in Superman and he plays the world for fools by tapping into our fears, the media and the current lack of critical thought to unleash an even greater evil on the world. Sound familiar?

On top of this, Lex openly challenges the idea of an all good “god” with the classic problem of evil. If God is all good how can their be evil and if there is evil, how can God be all good? The death of religious belief has lead us to question the ability of anything altruistic or good in anyone, even our heroes. It’s hard to have heroes when we don’t believe in absolute good or evil, there are only shades of grey and someone like Superman can seem like a relic of a long forgotten age. It truly is the struggle of our time as  we wrestle with the desire for a true hero and ostracism of them in the same breath.  This is why all our “heroes” reflect us now, not the best part, the morally ambiguous part, because heroes make us uncomfortable with what we have given up. Heroes with the virtue of Superman, remind us of what we have lost in expulsion of absolute truth.

Superman, Batman and Wonder Woman

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The thing that I love most about the movie is the was the way it nails the Superman character. May people cried foul at Man of Steel for not having him saving enough people, but this movie takes all of that criticism and builds on it. It shows us a man willing to be a hero, even when he’s rejected. Superman tells Lois, “This is my world” and he is willing to give his life for it, even if the people of it shun, hate or despise him, he’s going to be the hero they need. He lovingly plays out John 15:13, giving his life not only for his friends but for the world, even those that hate him and by doing so fulfilling his father Jor-El’s words, “You will give the people of Earth an ideal to strive towards. They will race behind you, they will stumble, they will fall. But in time, they will join you in the sun, Kal. In time, you will help them accomplish wonders.” And the people do, starting with Batman and Wonder Woman.

Batman was the best Batman I have seen on screen, from the costume, to the movement, to the way in which he seemed to have stepped right out of Frank Miller’s The Dark Knight Returns. What made him so compelling was his need to be brought back into the light and that it was Clark that showed him the way. He was reminded of his humanity by an alien. It’s a powerful message of hope in the darkness and the need of someone to show the lost the way.

Wonder Woman was wonderful. DC was right to bring her into this film and introduce her to the world before she gets her own film in 2017. Gal Gadot was phenomenal and some of the biggest cheers in the theater were when she shows up in the costume to help lay waste to Doomsday. Honestly love everything about her.

Conclusion

This movie is a comic book on screen. It is fun too, do not let the reviews out there fool you, there were moments I was cheering and having a blast. I like that the plotting of Lex throughout the film brings all of the heroes together in the end, as well as sets up the need for the Justice League to form. I thought that Jesse Eisenberg’s Lex Luthor was a refreshing take on a well known character. He brought a manic malevolence to the performance that set him apart from other Luthors we have seen. I also enjoyed the final climax to the movie as the three heroes try to find a way to defeat Doomsday and not destroy another city. The movie is not perfect, but I like is immensely and cannot wait to see it again as well as Zach Snyder’s Director’s Cut on blu ray. This is 4 and a half stars out of 5 for me.

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The 602 Club 28: A Kryptonite Shank

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It had been 28 years since Superman had last appeared on screen and it had not been the best send-off for the original superhero. Languishing in development hell, year after year, it came down to Bryan Singer and his story of Superman returning from five years away from earth to bring the Man of Steel back to theaters.

In this episode of The 602 Club host Matthew Rushing is join by John Mills and Norman Lao to talk about Superman Returns. We open the show discussing the new Batman V Superman trailer, then talk about our initial response to Singer’s Superman film. being back in the Donnerverse, if this movie needs Superman II, the expectations of the audience, the story, 9/11’s effect, our favorite scenes, the ending, the big shoes the actors had to fill, music, production value and our ratings.

 

The Force Awakens and Batman V Superman Trailers

Both of these films will be monster hits and both of them will have their haters. For me, I am just as excited for each one. Star Wars looks to be capturing the entire saga’s weight and carrying it forward, BvS looks to challenge us with all the right questions and differentiate itself from what came before, boldly going where no superhero movie has gone before. It is a great time to be a geek! Look for upcoming discussions of both trailers in The 602 Club, coming soon.

Star Wars: Episode VII: The Force Awakens

Batman V Superman: Dawn of Justice 

The 602 Club 16: There’s A Comic For That

tsc-016-th-squareComics.

On April 18, 1938 the world of publishing changed forever with the release of Action Comics #1 featuring the first superhero, Superman and in May of 1939 Batman was introduced to the world in Detective Comics #27. Since then, the proliferation of comics as been astounding. Leading to a world where comic book characters are everywhere, in film, on TV and ever conceivable type of merchandise. Yet many have never read the comics these icons come from.

In this episode of The 602 Club host Matthew Rushing is joined by Jose Munoz and Norman Lao to talk about the medium. We discuss what lead us to pick up our first comic, what we read monthly and why, our favorites and our recommendations as well as the pros and cons to continuity. Listen Here

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A New Business Strategy: Treating Employees Well

flourNORWICH, Vt.–Call centers are not, typically, very happy places—especially around the holidays. Workers have quotas to make, and often sit in bleak cubicles, headsets on, plowing through calls from stressed shoppers, as they count down the minutes until lunch.

But the employees in this call center in Vermont are rosy-cheeked and—can it be?—smiling. They field calls about misplaced packages and gluten-free dough, while surrounded by orange and red Thanksgiving decorations and a wall lined with baking gear that they’re allowed to borrow. They still have quotas—10 calls per hour, per agent—but they know they won’t get fired if they spend 45 minutes talking to a woman with cancer about baking, as one agent recently did.

An Answer to the Novel’s Detractors

old-booksBefore we rush to condemn whole-hog the novel’s supposedly obsolete conventions, we ought look at how they function and what they do well.
Less than a hundred years ago, D.H. Lawrence called the novel “the highest form of human expression so far attained.” Jane Austen said that it had nothing to recommend it but “genius, wit and taste.” Today, even novelists themselves—maybe especially novelists themselves—are unlikely to make such large and unironic claims in favor of their art. It is no coincidence that many of the most exciting novels to have appeared in recent years—Karl Ove Knausgaard’s My Struggle series, Ben Lerner’s “10:04” and Sheila Heti’s “How Should a Person Be?”—have been distinctly un-novelistic, featuring protagonists who share many biographical details (and sometimes names) with the authors, and substituting the messiness of experience for conventional plots. Such “novels from life,” as Heti’s book was subtitled, reflect the authors’ exasperation with fictional artifice. “Just the thought of writing fiction, just the thought of fabricated character in a fabricated plot made me feel nauseous,” Knausgaard wrote in the second volume of “My Struggle.”
gotham105warehousemooney7598hires2jpg-9a7128_960wIs there anyone watching Gotham who could concisely summarize what’s going on in the show’s central overarching storyline—about the mob war between Carmine Falcone and Sal Maroni? The war connects to everything: the police corruption that plagues our protagonist Jim Gordon, the murder of Bruce Wayne’s parents, the machinations of lieutenants Fish Mooney and the Penguin. It’s tough to keep track of the sheer amount of behind-the-scenes machinations, and it’s tougher still to care. The show may even realize this. Ten episodes in, as it prepares to take a break until January, Gotham has transferred Gordon to work at Arkham Asylum among the city’s stranger criminals. That’s a promising new direction.

interstellar-poster11Interstellar, the new film directed by Christopher Nolan, attempts to say something profound about human relationships and meaning, a goal that by itself is worth celebrating. What the film tries to say is a little more ambiguous.

If Interstellar were a religious text, the dogma it encodes could be called something like “scientific romanticism.” This belief system would hold that science will solve all of our problems one day, even the ones that by definition resist empirical observation and thus exist outside the purview of science (see Sagan’s Contact for another dogmatic specimen). Scientific romanticism works well as a narratival contrivance, but when employed to spice up the lives atheists who otherwise think that they have a clearer-headed view of the universe than those troglodytic believers, it can expose the scarcity of meaning available to those who eschew belief in God.

The limits of buzz: How DC comics is winning its war with Marvel — on television

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Marvel Studios’ announcement this week about what we can expect for the next nine years generated a lot of excitement — and for good reason. Marvel is finally bringing a film about a female superhero to the silver screen with Captain Marvel, and a black superhero, with Chadwick Boseman as the Black Panther. Marvel knows how to create buzz and market its films — not just each individual one, but the whole collection of them. Each film lays groundwork for the next; each has inside jokes that only make sense if you’ve seen the previous. And audiences love it: A quick scan of the box office take for all of Marvel Studios’ films offers very, very big numbers. Maybe it’s not worth the hype, maybe the films could be better, maybe film franchises are destroying cinema. But it’s working.

It’s interesting, then, that Marvel’s success with film doesn’t translate to television. And I don’t mean that Marvel’s one television show airing right now — the awkwardly titled “Marvel’s Agents of S.H.I.E.L.D.,” on ABC — is necessarily bad; it’s not great, but it’s fine. It’s more that DC, the Red Sox to Marvel’s Yankees, is absolutely killing it on television.

Fury at the Cross(roads): The Gospel in the Violence of History

1231428-furyThe most religious film many moviegoers will see this year will not be an inspirational story from a faith-based production company; it will be writer-director David Ayer’s WWII tank combat epic Fury. And in some ways Fury is also a more compelling narrative about redemption than many of the sermons preached from Church pulpits on any given Sunday.

Fury is a slice-of-combat-life story that follows a few days’ action of a Sherman tank crew during the final campaign against Germany in April, 1945. The battle has turned into a seemingly interminable contest in which a defeated opponent refuses to quit, exacting casualties in pointless resistance. War weariness has exhausted not only men and equipment, but innocence and ideals. But Ayer, reportedly a Christian himself, isn’t just telling another war story. He is embedding and embodying the intersection of the grace of God with human history, history at its most violent and hellish.