Catching Fire, the second film in The Hunger Games trilogy, has set theater records, and like its predecessor, it’s an impressive, gritty film. Suzanne Collins wrote a gripping series of young-adult novels, and the film adaptations have been well cast and well directed, especially the choice of Jennifer Lawrence as Katniss Everdeen, the film’s star and protagonist. Lawrence manages to easily embody both Katniss’s tenacity and also her youthful ignorance at the high-stakes politics of her situation.
I enjoy spending time with people who appreciate great literature. The number of my friends who are intimate with Dante or Tolkien or Austen is, as Oscar Wilde would say with a wink, “considerably above the proper average that statistics have laid down for our guidance.” My book-loving church regularly ships in world-class English professors to give lectures and field the usual round of questions about Peter Jackson’s interpretation of Aragorn and Faramir.
And I’ve noticed that in these circles, it’s often a faux pas to admit that I, like nearly every other Millennial in America, own extremely well-loved copies of all seven Harry Potter books. And I would lose all credibility with many of these people if I suggested offhand that I think the Potter books are in the tradition of the great English novels, deserve to be mentioned in the same sentence, and are easily the most morally and socially insightful works of fantasy published in this generation.
Yeah — so what if your Dad didn’t?
He just pulled that beat-up Volkswagon Rabbit of his over in front of Murray Reesor’s hundred acre farm right there where Grey Township meets Elma Township, pulled out a little red velvet box, and whispered it in the snowy dark: “Marry me?”
When it started in 1963, Doctor Who should not have succeeded. A committee created it, to fill a time slot. It had a small budget. The BBC intended for it to be a children’s educational show focusing on science and history. Oh, and it debuted the night after John F. Kennedy was assassinated.
And yet it worked, as seen in the incredible hype preceding Saturday’s 50th anniversary special—an extra-long, star-filled special called “The Day of the Doctor.”
I recently read an article from a prominent blogger on the subject of the new “gospel-centered” emphasis in books. He commented on various books that applied the gospel to every area of life from the ivory towers of theology, to the mom caught up in the chaos of home and family. One quote at the end of his blog got me thinking: “There is not yet a “Gospel-Centered Sex” book; however, it is probably on the way and may well be very helpful! If a couple consistently applies the implications of the gospel to the marriage bed, they will inevitably have a healthier marriage.”
Every Imperfect and Normal Family wants their kids to turn out right. So, we establish goals for character development and try to create an environment where our kids can mature. Church, school, sports teams, family relationships… each of these provides a context where our kids can learn to “love your neighbor as yourself.”
Too many times, (Christian) parents have it as their goal to make their kids good and moral. It is as if the entire purpose of their family’s spiritual life is to shape their children into law-abiding citizens who stay out of trouble. The only problem with this goal is that it runs in stark contrast to what the Bible teaches. The gospel is not about making bad people moral, but about making dead people alive. If we teach morality without the transforming power of the gospel and the necessity of a life fully surrendered to God’s will, then we are raising moral pagans.
At one time or another, most of us witnessed the devastation that comes through infidelity in marriage. We have seen marriages stretched almost to the breaking point and we have seen marriages destroyed by an unfaithful husband or unfaithful wife.
Affairs do not begin with sex. Falling into bed with a man who is not your husband or a woman who is not your wife is simply one step in a long chain of events, one decision in a long series of poor decisions.
J.J. Abrams at TED in 2007: The Mystery Box