There are two things you should know about Game of Thrones (otherwise known as the epic fantasy series, A Song of Ice and Fire). It is among the best epic fantasy stories ever written (sorry, Wheel of Time) and it is for “mature” readers/viewers only, really.
Ever since HBO premiered their adaptation of the first novel last April, the popularity of the series has grown tremendously. The first episode of Season One attracted 2.2 million viewers (Wiki). By the season finale of the second season, the show had nearly doubled its viewers at 4.2 million. The adaptation also sent the novels up the New York Times bestsellers list for paperback fiction, and at the beginning of 2011, the series had sold 4.5 million books (Wiki). And with good cause.
Children should be allowed to get bored so they can develop their innate ability to be creative, an education expert says.
Dr Teresa Belton told the BBC cultural expectations that children should be constantly active could hamper the development of their imagination
She quizzed author Meera Syal and artist Grayson Perry about how boredom had aided their creativity as children.
Syal said boredom made her write, while Perry said it was a “creative state”.
With two landmark gay marriage cases before the Supreme Court we are already seeing a flurry of articles, posts, tweets, and status updates about the triumph it will be when America finally embraces equality for all and allows homosexuals to love each other. These tweets and posts and articles perfectly capture the reason why the arguments for gay marriage have become so persuasive so fast. Given the assumptions and patterns of thinking our culture has embraced in the last fifty years, the case for gay marriage is relatively easy to make and the case against it makes increasingly little sense.
It’s hard to deny that homosexual marriage appears to be a foregone conclusion in America. This is a frightening prospect not only for those of us who understand marriage to be a testimony of the relationship between Christ and his bride, the church, but also for all who value the family and its contribution to the well-being of society and human thriving. And while it’s difficult to watch a coordinated, well-funded, well-connected propaganda strategy undermine thousands of years of human history, it’s especially disconcerting to witness the use of the civil rights struggle as the vehicle for the strategy.
We geeks unabashedly, unreservedly love the things we love, without regard to such matters as taste or cred. Oddly enough, that means true geeks typically have great taste, which has given geek culture enough cred for us to have pretty much taken over American entertainment. As Hollywood’s annual tribute-paying at Comic Con shows, geeks are loud, proud, and a more coveted demo than ever. And who are the loudest, proudest geeks of all? Trekkers. So for the first ever Get Thee to the Geek, we’re going to dive deep into a show that’s cast a remarkable, if largely unrecognized shadow over contemporary pop culture. A show that’s a subculture within a subculture: Star Trek: Deep Space Nine.
Amazon is the king of online booksellers and, by most accounts, the most feared player in publishing. Yet last week it shelled out a reported $150 million to buy up Goodreads, a social network for book nerds with a devoted but far from enormous 16 million members. So why is most of the media convinced this is a brilliant deal?