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In David O. Russell’s newest film, Silver Linings Playbook, the clinical psychological and psychiatric issues abound: an undiagnosed bipolar disorder, obsessive compulsive disorder, sex addiction. Behind these, though, are the everyday varieties of guilt and self-contempt, delusional thinking and mixed-up love, and some classic rom-com dance competitions for good measure.
Often, when a lengthy discussion of the Hobbit films takes place, someone asks “What about the other books? What about material from The Silmarillion, orUnfinished Tales? Will these be adapted to the big screen?”
The answer to this question is a simple one. As it stands, the literary executor of J.R.R. Tolkien’s work, his son, Christopher Tolkien, has refused to consider any further licensing of his father’s work for cinematic purposes.
Since we’ve been talking so much about television this week, why not go all the way and do our annual recap? Truth be told, it was a slightly off year on the small screen, the first plateau in quality that I can remember in about ten years. A number of the top-drawer shows experienced something of a “downturn”, e.g. Justified and Louie, and new contenders were not quite as numerous. Which isn’t to say there hasn’t been plenty worth watching and commenting on. God no: (This is an interesting list, even though I am not sure I completely agree with all of them)
After we hear the terrified voices of Americans trapped on the upper floors of the burning towers on 9/11 against a black screen, the movie opens on a character named Ammar, suspended from the ceiling by chains attached to both wrists. It is two years later. Ammar is bloody, filthy, and exhausted. We learn quickly that he is an al-Qaeda middleman, and a nephew of Khalid Sheik Mohammad, architect of the 9/11 attacks. Ammar is believed to know details of a pending attack in Saudi Arabia, and he is uncooperative.
The story – “What Choice?” – is written by Kate Pickert. The main point of the article is that Roe v. Wade hurt the pro-choice cause by delivering the movement’s main goal and by energizing a generation of pro-life activism.
Not surprisingly, the story is biased against the pro-life cause. Though the issue of “personhood” and “life” is alluded to (see below), Pickert never explores the reasons for a surge in pro-life activity. Had she sought to explain the pro-life perspective, she would have shown how this debate is really a showdown between reproductive rights and human rights, and which rights are foundational to freedom.
No one forced me, but I finally decided it was time to discover what all the business was about Honey Boo Boo.
Even though I’ve made reference to the show featuring a former beauty tot, now 7, and her family, I’d never actually watched a full episode. I still haven’t, but I watched enough to need a jaw adjustment.
Alas, a few minutes with “Here Comes Honey Boo Boo” confirms that even mindlessness has its limits.
On Monday, Star Trek visual FX artist Doug Drexler posted the official cover art along with the release date on his Facebook page.
In addition to the 25 first-season episodes, the first season set will include new audio commentaries with Rick Berman, Brannon Braga, Dan Curry, Mike Sussman, David Livingston, Connor Trinneer and Dominic Keating. Plus a few bonus features, including a three-part documentary, entitled “To Boldly Go: Launching Enterprise”.