I’m a Christian Hypocrite

I was thinking about this today, because it’s a thing people say in response to not liking Christians or wanting to be one or for leaving the faith; “Those people are such hypocrites”. Matt Chandler really says it best I think in response to that;

The good news of the gospel is hypocrites are welcome. That’s the good news, because there’s no one in this room who’s not hypocritical. No one. Whether you’re completely secular and humanistic or whether you’ve been a person of faith since… I mean, Mama shot you out on the altar. You don’t remember a day you weren’t in church. You are inconsistent and you are hypocritical. No one is clean on that. No one.

The difference between those who have put their faith in Jesus Christ is Christ’s perfection carries our imperfection so between the tension of perfection and hypocrisy we have a perfect God who says, “I paid the bill for that stumbling and bumbling. Yeah, he’s an idiot. Doesn’t that make me spectacular if I can save that dude, if I can save that woman? How inconsistent and foolish they are, and yet I can still rescue them.” Isn’t that where God is most glorified, not in saving the pretty people? So now you have this idea of hypocrisy.

Here’s what, unfortunately, Christians want to do: Christians need to know that and walk in a lot more grace and a lot more compassion with a lot more lack of “judgmentalness” on people than they walk in now, because you’re not there. Even though you might act like you’re there or think you’re there, your response to the fallings and failings of others should be patience, grace, compassion, empathy, prayerfulness, and a steadfast friendship that says, “I love you and I’m walking with you until God opens up your eyes and opens up your heart.” So what hypocrisy or lack of perfection on our way to should create in the unbeliever is a hope that God can work in them, and for the believer, it should increase compassion, grace, and empathy.

Now when it comes to addressing the hypocrisy in our lives, the way not to do it is to look at your behaviors and try to make them more consistent. Has anybody ever fallen in that trap? You start spotting places you’re not quite consistent, and so what you begin to do is you begin to work at being more consistent at behavior, language, you can fill in the blank there, but you have this area of your life. You’re going, “I need to be more consistent so I’m not a hypocrite,” and you start to kind of pour into those behaviors, pour into those modifications, pour into those kinds of things, but in reality, the battle over hypocrisy does not take place on an external behavioral level; it takes place in the heart.”

In the end shouldn’t we be thankful that went we walk into a church that we are all hypocrites, we are surrounded by them. Man, I’d hate to walk in and feel like I had to have it all together to be there. Why is it that we’re afraid to show that we’re not perfect? Jesus said, “Come to me all who are weary and heavy burdened and I will give you rest”. We cannot and will not ever be perfect. So yes, I’m a Christian hypocrite, I always will be. I’ll never be perfect or live out perfectly my faith. And honestly, thank God that’s not on me, to be perfect, to save myself. If it was, well I and you would be lost forever. I pray that God works in my heart so that I become less hypocritical and more like him. I pray he gives me grace to love everyone, no matter where they are on their journey with God, especially when they, like me have hypocrisy rear its ugly head in our lives. Thank you God for loving hypocrites because if you didn’t we’d all be lost.

The 602 Club 9: The Original George Lucas

TSC009-Thumbnail-SquareThe Hobbit: An Unexpected Journey.

After the monster success of The Lord of the Rings trilogy thoughts turned to making The Hobbit. After dealing with rights issues and a directorial change, Peter Jackson once again found himself in Middle Earth.

In this episode of The 602 Club, host Matthew Rushing is joined by Alice Baker and Megan Calcote from Educating Geeks to talk about the first film in this new Middle Earth trilogy. Together we discuss Peter Jackson being back as director, making three films out of two, additions from Tolkien’s other works, things we liked and didn’t from both versions of the film and the riddles in the dark.

The 602 Club 8: Here’s Your Next Dossier

tsc-008-th-squareJames Bond

The British secret service agent has been thrilling audiences with his adventures and conquests for over 50 years. Ranked number three in total franchise dollars, Bond continues to be one of Hollywoods longest running series.

In this episode of The 602 Club host Matthew Rushing is joined by John Champion and Norman Lao discuss their love these films. From favorite Bonds, to movies and girls, we dive in to what makes Bond special to us, as well as speculate about the latest film, Bond 24.

The 602 Club 7: At Least They Put A Bird On It

TSC007-Thumbnail-SquareMockingjay Part 1.

Susanne Collins’ Hunger Games series took the world by storm in 2008 and has continued to do so through the film adaptations. 

Host Matthew Rushing is join by Andi VanderKolk in The 602 Club to discuss the first part of the finale Mockingjay Part 1. Together they dive into the first two films, the decision to split the final book into two movies, while dissecting the themes and topical nature of the series and rounding out the discussion with the validity of female lead films.

Owl Post 12-6-14

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A New Business Strategy: Treating Employees Well

flourNORWICH, Vt.–Call centers are not, typically, very happy places—especially around the holidays. Workers have quotas to make, and often sit in bleak cubicles, headsets on, plowing through calls from stressed shoppers, as they count down the minutes until lunch.

But the employees in this call center in Vermont are rosy-cheeked and—can it be?—smiling. They field calls about misplaced packages and gluten-free dough, while surrounded by orange and red Thanksgiving decorations and a wall lined with baking gear that they’re allowed to borrow. They still have quotas—10 calls per hour, per agent—but they know they won’t get fired if they spend 45 minutes talking to a woman with cancer about baking, as one agent recently did.

An Answer to the Novel’s Detractors

old-booksBefore we rush to condemn whole-hog the novel’s supposedly obsolete conventions, we ought look at how they function and what they do well.
Less than a hundred years ago, D.H. Lawrence called the novel “the highest form of human expression so far attained.” Jane Austen said that it had nothing to recommend it but “genius, wit and taste.” Today, even novelists themselves—maybe especially novelists themselves—are unlikely to make such large and unironic claims in favor of their art. It is no coincidence that many of the most exciting novels to have appeared in recent years—Karl Ove Knausgaard’s My Struggle series, Ben Lerner’s “10:04” and Sheila Heti’s “How Should a Person Be?”—have been distinctly un-novelistic, featuring protagonists who share many biographical details (and sometimes names) with the authors, and substituting the messiness of experience for conventional plots. Such “novels from life,” as Heti’s book was subtitled, reflect the authors’ exasperation with fictional artifice. “Just the thought of writing fiction, just the thought of fabricated character in a fabricated plot made me feel nauseous,” Knausgaard wrote in the second volume of “My Struggle.”
gotham105warehousemooney7598hires2jpg-9a7128_960wIs there anyone watching Gotham who could concisely summarize what’s going on in the show’s central overarching storyline—about the mob war between Carmine Falcone and Sal Maroni? The war connects to everything: the police corruption that plagues our protagonist Jim Gordon, the murder of Bruce Wayne’s parents, the machinations of lieutenants Fish Mooney and the Penguin. It’s tough to keep track of the sheer amount of behind-the-scenes machinations, and it’s tougher still to care. The show may even realize this. Ten episodes in, as it prepares to take a break until January, Gotham has transferred Gordon to work at Arkham Asylum among the city’s stranger criminals. That’s a promising new direction.

interstellar-poster11Interstellar, the new film directed by Christopher Nolan, attempts to say something profound about human relationships and meaning, a goal that by itself is worth celebrating. What the film tries to say is a little more ambiguous.

If Interstellar were a religious text, the dogma it encodes could be called something like “scientific romanticism.” This belief system would hold that science will solve all of our problems one day, even the ones that by definition resist empirical observation and thus exist outside the purview of science (see Sagan’s Contact for another dogmatic specimen). Scientific romanticism works well as a narratival contrivance, but when employed to spice up the lives atheists who otherwise think that they have a clearer-headed view of the universe than those troglodytic believers, it can expose the scarcity of meaning available to those who eschew belief in God.

The limits of buzz: How DC comics is winning its war with Marvel — on television


Marvel Studios’ announcement this week about what we can expect for the next nine years generated a lot of excitement — and for good reason. Marvel is finally bringing a film about a female superhero to the silver screen with Captain Marvel, and a black superhero, with Chadwick Boseman as the Black Panther. Marvel knows how to create buzz and market its films — not just each individual one, but the whole collection of them. Each film lays groundwork for the next; each has inside jokes that only make sense if you’ve seen the previous. And audiences love it: A quick scan of the box office take for all of Marvel Studios’ films offers very, very big numbers. Maybe it’s not worth the hype, maybe the films could be better, maybe film franchises are destroying cinema. But it’s working.

It’s interesting, then, that Marvel’s success with film doesn’t translate to television. And I don’t mean that Marvel’s one television show airing right now — the awkwardly titled “Marvel’s Agents of S.H.I.E.L.D.,” on ABC — is necessarily bad; it’s not great, but it’s fine. It’s more that DC, the Red Sox to Marvel’s Yankees, is absolutely killing it on television.

Fury at the Cross(roads): The Gospel in the Violence of History

1231428-furyThe most religious film many moviegoers will see this year will not be an inspirational story from a faith-based production company; it will be writer-director David Ayer’s WWII tank combat epic Fury. And in some ways Fury is also a more compelling narrative about redemption than many of the sermons preached from Church pulpits on any given Sunday.

Fury is a slice-of-combat-life story that follows a few days’ action of a Sherman tank crew during the final campaign against Germany in April, 1945. The battle has turned into a seemingly interminable contest in which a defeated opponent refuses to quit, exacting casualties in pointless resistance. War weariness has exhausted not only men and equipment, but innocence and ideals. But Ayer, reportedly a Christian himself, isn’t just telling another war story. He is embedding and embodying the intersection of the grace of God with human history, history at its most violent and hellish.

The 602 Club S1: Is It Up?

The Force Awakens Teaser.tsc-0S1-th-square

Fans around the world were beside themselves when they learned that George Lucas had sold Lucasfilm to Disney, who immediately announced that they were going to be continuing the Star Wars saga on the big screen.

Now the first look at the new Star Wars movie, The Force Awakens is here and with it the speculation wars have begun. In this supplemental episode of The 602 Club host Matthew Rushing is joined by John Mills, Will Nguyen and Daniel Proulx to dissect 88 seconds of Star Wars. Together they discuss the things they like, things they don’t, speculate on the story and how they feel about the film now.

The 602 Club 6: Ken Burns’ Film From the Future

TSC006 Thumbnail SquareInterstellar.

Visionary director Christopher Nolan burst on to the screen with Memento and since then has continued to intrigue and provoke though in audiences with films like Inception and The Dark Knight Trilogy.

In this episode of The 602 Club, host Matthew Rushing is joined by Darren Moser and Norman C. Lao to discuss the release of Interstellar. From their first impressions, to characters, robots, and ship designs, they try not to get lost in the fifth dimension, all while trying to keep the show under the running time of the movie.